“One Departs, One Remains” — A juvenile osprey leaves the nest while its sibling remains.
This is a bit of a serendipitous photograph. I had been photographing landscape subjects since before dawn, but the early light had now dissipated. I figured I was done for the morning, so I shouldered my gear and started ambling in a direction that would take me back to my vehicle. Along the way I saw a little side path marked “dead end” that led toward the water, so I thought I’d take a look. A few feet later I was through some brush and on a rocky beach. A woman was there photographing, and she pointed out two juvenile ospreys at a nest atop a rocky formation just offshore.
The skeletal remains of a stand of ponderosa pine trees under blue high desert sky, Mono Basin.
This photograph comes from my short trip to the area near Tioga Pass in Yosemite during the final days of summer — a trip to reacquaint myself with the Sierra after missing the entire summer up there. I camped near the crest where I could easily enter the park or head east and visit the eastern escarpment of the range and some of the nearby high desert terrain.
I made this photograph on a morning when I headed east, passing Mono Lake and continuing a bit further, then turning off the main road to drive along the edge of a huge ponderosa pine forest. At some point in the past a wildfire burned though here, and the skeletal burned trees have long fascinated me. These trees are right at the (former) edge of the grove, and Mono Lake and desert mountains are barely visible in the distance.
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.
The skeletal remains of a dead tree stand in front of a sandstone cliff, Zion National Park.
I’m a bit embarrassed to admit that I don’t recall exactly where I made this photograph. I’m pretty certain that I made it near the start of a walk up the Virgin River in Zion National Park in the afternoon, near the feature known as the Temple of Sinawava. Actually, I’m certain of all of that with the exception of knowing precisely where in the Temple of Sinawava area I made it. I do recall paying special attention to these red rock walls and looking for various subjects that I might combine with them to make photographs.
Speaking of the sandstone walls… on this side of the canyon and at this mid-afternoon time of day, little to no direct light makes it down to the floor of the canyon. So the lower walls are almost entirely in shade. However, the sun most certainly is still striking the upper canyon walls, and the reflected light from the sun-lit areas works like a giant light panel, reflecting softly diffused light down into the canyons and gently warming the colors that would otherwise be quite cool. (In other words, blue.) The diffused light causes even the shaded areas, such as recesses in the rock, to retain some details. And because the light is reflected from and into red sandstone canyon walls, the color of the light only gets warmer, and down in the canyon the color can be quite beautiful.
G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
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