“Ivy Roots” — Intertwined ivy roots draping across a concrete retaining wall.
I have walked past this place scores of times — it is along one of my regular walks. I walk almost daily, often along one of a group of familiar routes. It had been weeks since I last did this one, so it was time again to visit it. As I walked along a creek and past some commercial buildings I “saw” something that I have certainly seen before, but not really noticed — a great wall of ivy roots stretched across concrete.
A red metal gate with ivy and a chain lock, Porto.
When we travel and visit new cities we have an approach that might seem disorganized to some people. While we usually do have a short list of “must see” things, we don’t usually join tours and we have a lot of unscheduled time. We use that time to… just wander, get lost, follow hunches. There are some downsides to this, of course, but the upside is that we find a lot of obscure and smaller things that can get lost in a rush to “see all of the important things.”
This photograph might serve as an example. I really doubt that there is a tour guide anywhere that says, “Be sure to visit the gate inscribed with the word ‘cargas.’!” Heck, I’m not even sure that I could find it again if you set me down in Porto… and the lovely ivy leaves probably would not look the same anyway. We happened to pass this subject while out on a more or less random walk through areas of Porto in the Centro Historic and Ribeira districts.
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.
“Three Ivy Leaves” — Three spring ivy leaves emerge from the shadows
Ivy is among a group of (sometimes) shade-loving plants whose leaves intrigue me. The shapes, colors, and textures are immediately appealing, especially in soft light. But the complexity of their arrangement can make it difficult to find compositions. The beauty of the leaves makes me think it will be easy, but the complexity challenges me.
Here a few newer leaves stood out a bit from the darker background leaves — both because of their newness and because they were a bit forward and in the light.
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A brick wall behind a fountain closed by the pandemic.
If it seems like there have been a lot of black and white photographs here recently, well, yes. I’m not certain why that is, but I do know that I began as a black and white photographer, and somehow seeing in monochrome remains at my visual core.
This photograph comes from a visit to a location we visited in order fo photograph a very different sort of subject — a beautiful (mostly) formal garden full of blossoming flowers. We went there after both of us had arrived at that wonderful point two weeks after being fully vaccinated, and it was liberating to wander (masked) through the gardens. However, somehow, among those beautiful and colorful flowers, this is what I came home with! I’m tempted to offer explanations and propose a few metaphors to consider as you view the image, but since I wasn’t really consciously thinking of them when I made the photograph, I’ll just leave the photograph here and let you decide.
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.
Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
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