“Tufa, Dawn” — Mono Lake tufa formations under cloudy sunrise sky.
My most common way to approach Mono Lake photographically is to focus on the immense scale of the pace rather than on closer elements of the landscape. I like to set tufa towers against distant desert hills under the wide sky, or perhaps place them in front of the distant eastern face of the Sierra Nevada stretching away to the north. Initially I was doing something like that here, focusing on those offshore towers and using somewhat short focal lengths to take in the wider scene. But then I thought to include a bit of this near tower at the right side of the frame.
A cluster of tall urban towers at the Hudson Yards complex, Manhattan.
There is a phenomenal range of photographic subjects in New York City: the natural scenes in Central Park, street life, and architecture old and new. For reasons relating to the season, our location in Manhattan, and more I ended up making quite a few “natural landscape” images in Central Park. But we did spend time elsewhere, too, including on a long walk that took us through the Hudson Yards development. My feelings about the place are complicated, for reasons I won’t go into here, but it does present some interesting architectural forms, including these buildings with reflecting glass surfaces.
I went with black and white in this rendition since I was more interested in the shapes and lines than in presenting of the supposed reality of the place. (The underlying image is full of blue tones and has much less contrast.) I’ve long been fascinated by how malleable monochrome images are in post — we can push and pull them in all sorts of ways that would be far too extreme in most cases with color.
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.
A brick wall behind a fountain closed by the pandemic.
If it seems like there have been a lot of black and white photographs here recently, well, yes. I’m not certain why that is, but I do know that I began as a black and white photographer, and somehow seeing in monochrome remains at my visual core.
This photograph comes from a visit to a location we visited in order fo photograph a very different sort of subject — a beautiful (mostly) formal garden full of blossoming flowers. We went there after both of us had arrived at that wonderful point two weeks after being fully vaccinated, and it was liberating to wander (masked) through the gardens. However, somehow, among those beautiful and colorful flowers, this is what I came home with! I’m tempted to offer explanations and propose a few metaphors to consider as you view the image, but since I wasn’t really consciously thinking of them when I made the photograph, I’ll just leave the photograph here and let you decide.
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.
Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
Manage Consent
To provide the best experiences, we use technologies like cookies to store and/or access device information. Consenting to these technologies will allow us to process data such as browsing behavior or unique IDs on this site. Not consenting or withdrawing consent, may adversely affect certain features and functions.
Functional
Always active
The technical storage or access is strictly necessary for the legitimate purpose of enabling the use of a specific service explicitly requested by the subscriber or user, or for the sole purpose of carrying out the transmission of a communication over an electronic communications network.
Preferences
The technical storage or access is necessary for the legitimate purpose of storing preferences that are not requested by the subscriber or user.
Statistics
The technical storage or access that is used exclusively for statistical purposes.The technical storage or access that is used exclusively for anonymous statistical purposes. Without a subpoena, voluntary compliance on the part of your Internet Service Provider, or additional records from a third party, information stored or retrieved for this purpose alone cannot usually be used to identify you.
Marketing
The technical storage or access is required to create user profiles to send advertising, or to track the user on a website or across several websites for similar marketing purposes.
