“Cargas Gate” — A red metal gate with ivy and a chain lock, Porto.
This photograph might serve as an example. I really doubt that there is a tour guide anywhere that says, “Be sure to visit the gate inscribed with the word ‘cargas.’!” Heck, I’m not even sure that I could find it again if you set me down in Porto… and the lovely ivy leaves probably would not look the same anyway. We happened to pass this subject while out on a more or less random walk through areas of Porto in the Centro Historic and Ribeira districts.
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A tall, thin bay tree reaches for the light in front of a row of coast redwood trees, Muir Woods National Monument
This cathedral of redwood trees still brings me to a stop every time I walk up the main valley at Muir Woods National Monument. Typically I arrive very early in the morning, often before the park opens, when I can have the trail almost to myself. (I’m happy to share “my” park with the small number of other early morning visitors, who are usually very quiet.) This row of big trees is in a spot near where several trails meet up, and the light can range from deep shade to filtered sun.
The light is the tricky thing when photographing here. People are often surprised by just how little light may make it down through the canopy of the redwood forest. On this morning there was a layer of high clouds that muted the light, with only occasional breaks allowing more direct light. As a result, this was a 13 second exposure! The idea here was to find a “wall of trees” composition, with some depth from additional trees perhaps visible in the gaps among the main foreground group. I liked the visual dissonance of the single slender bay tree trunk curving across the scene to the left.
G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
Redwood creek flows though lush forest at Muir Woods National Monument, California
This was more or less the first photograph I made on this August early morning visit to Muir Woods National Monument, and its main redwood groves. I had arrived very early – well before the park opened and other visitors arrived – and I was almost all alone as the first morning light begin to filter down through trees into this valley.
The photograph was made at a rather prosaic location, the first footbridge on the main “nature trail” though the popular monument. However, being here so early, I had the rare opportunity to set my tripod up on the bridge without having to worry about inconveniencing other visitors (there weren’t any!) or waiting for the bridge to stop vibrating as hordes of people walked across. And, yes, that is an issue here, since when I shoot at low ISOs and small apertures I often end up with exposure times measured in seconds when shooting in the deep shade of the redwood forest. One of the most challenging things when shooting in this lush environment, at least for me, is to try to tease a coherence composition out of scenes that often include a ton of detail. This is certainly one of those scenes, but I think that the curving trees, the downward arc of branches on the left, the foreground stream, and perhaps a sense of depth creating by further trees in brighter light might make this work.
G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
Morning light in the redwood forest at Muir Woods National Monument
Walking along one of the main trails at Muir Woods, most of the forest was in deep shade. However, up the hillside to my right the morning sun had cleared a nearby ridge and was beginning to cast rays of light into the forest and, especially, to illuminate some of the deciduous trees a bit further up the hill. I had been looking closely at the trunks of big trees along the trail, trying to find compositions in this low light, but the bright light beyond distracted me.
Looking through this group of large, bulky, and mostly straight redwood trunks, I was struck by the difference between their appearance the slender and curving shapes of these further trees – which I think were probably laurels. I also like the slightly disjunct appearance of some of the closer trees, including the one curving from center to the left and the thin tree near the left that is more brightly lit by sun. For the photographers out there, this photograph presented a major exposure problem. As you can imagine, the range between the foreground shadows of the redwood trees and the sunlit trees in the distance was huge. Believe it or not, this photograph was made from a single exposure of the scene.
G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
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