Close-up photograph of a spring fern in forest shadows.
Photos are temporarily being shared without additional commentary. Watch for commentary to resume in late summer.
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.
A spring fern grows in the shade among boulders along the base of Yosemite Valley cliffs.
You might think that the toughest challenges on my one-day up-and-back trips to the Sierra — on one of which I made this photograph — would be getting up hours before sunrise and driving for hours, or perhaps it would be the long return drive with a midnight or later arrival. The truth? It is the midday hours. Photographically, this can be tough time of day. There are opportunities, but you have to look for them. And by late morning and early afternoon I’m simply tired from that early wake-up call… and ready for a good, long nap!
On this trip to Yosemite Valley, the pattern held. I arrived very early, photographed through the morning, following light and shadow around the Valley. At noon I grabbed a bite to eat and then… took a very long nap in my car. But the beautiful evening light was hours away on this long, late-spring day, so when I woke up I loaded my pack and set out to see what I could find in the midday light. I headed to an area along the base of the cliffs where I thought I might find some interesting rocks, trees, and soft shade light. And that’s where I photographed this sprouting fern, aglow in reflected light against a backdrop of forest litter and a boulder.
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.
A trail winds through redwood forest, past ferns and rhodendrons, Del Norte State Park.
As I write this post, it has been a 100+ degree day with wildfire smoke drifting across the Bay Area and mostly forcing us inside — and I know it is much worse in many other parts of California and the West. Barely more than two months ago we walked this coastal trail through redwoods on a cool June morning as fog drifted overhead and rhododendrons bloomed. How long ago that seems now! But looking forward an equal amount of time we can hope that this nasty, dry, hot summer will be behind us and, with luck, autumn rains will return.
Photographing redwood forests can be a tricky thing. Deep in the forest the light can be so low that exposures as long as a second or more a necessary. Meanwhile, even on the most still days there is always a slight bit of air motion, and the long palm fronds and hanging plans are virtually never still. And when the sun rises higher in the sky and sends a few beams of light to the forest floor, the difference between the sunlit spots and the shadows can be huge. In this photograph, in order to produce something that reflects what we see when we look around such a scene, I had to carefully control the brightness of the bits of sky at the top of the photograph and the stray beams of light along the trail… and then ensure that the dark areas were bright enough to make details visible.
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.
Ferns, redwood sorrel, other plants, and young redwoods deep inside the coastal redwood forest.
Here is another photograph from this year’s late-spring foray to the far Northern California redwood region — the National and State Redwood Parks. It may surprise you to find that this almost-native Californian didn’t really start to get his mind around this region until fairly recently. While I’ve know the redwoods closer to the San Francisco Bay Area nearly my whole life, the parks in the northern reaches of the state were not part of my experience aside from driving through a few of them. Over the past few years I have been exploring them and I am now starting to feel like I know that part of the state a bit better.
This scene comes from one of the state parks. Which park is perhaps not that important, given that you can find scenes like this one almost anywhere. One differentiating factor among the parks seems to be how far they are from the coast — wetter and lusher closer to the coast, warmer and a bit more open further inland. This scene is perhaps more representative of the near-coast forest, with extremely thick and lush undergrowth and green things growing everywhere. (That “green things” comment may seem odd to those who aren’t familiar with much of the rest of California, where things are distinctly not-green during most of the year.)
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.
