“Alpine Lake, Mirrored Reflection” — Cliff wall mirrored on the surface of a rockbound alpine lake in Sequoia National Park.
There’s a story and a lesson associated with this photograph. Explaining may take a bit more than the usual two paragraphs. (It takes five. I urge/invite you to click through and read the whole thing — and I’ll be interested in your comments.) I’ll start with the subject though. Years ago (I’ll reveal how many years below) I was on a trans-Sierra pack trip of over a week’s length with a group of backcountry friends. I had walked this route years before this trip, and there were a few places that I specifically wanted to photograph again, especially this lake. I stopped there long enough to make a few careful photographs, including one of my favorites. (That one also comes with a bit of a story and lesson.)
“Coastal Redwood Forest” — A young coastal redwood forest, Pheiffer Big Sur State Park.
Photographing California’s coastal redwood forests can be a (fun) challenge. There is often an overwhelming amount of “stuff” in the scene — trunks, branches, undergrowth, all growing densely. Part of the challenge is finding a workable composition among all of the details. Light can also be tricky. On sunny days light beams fill the scene and pose nearly unsolvable dynamic range issues — shadows go completely black and highlights threaten to blow out. I made this photograph on a cloudy morning when the overcast was thinning a bit, producing some very soft light.
The location is Pfeiffer Big Sur State Park. Oddly, as a lifelong Californian who has passed by here often, I have barely explored this park. In fact, I can recall only one previous brief visit. Perhaps this is because I’m typically in the area to photograph coastal subjects rather than forests, and perhaps also because there are other redwood parks closer to where I live. This little scene is a obscure one near the main campgrounds and a nature trail.
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.
Turtle Dave* climbing the west side of Mount Whitney near the end of the John Muir Trail.
There are several stories behind this photograph. One is specific to this man and this place, and another relates more generally to people like him that I have encountered in the backcountry over the years. The specific story: “Turtle Dave” (or was it “Turtle Don?*”) was his trail name on the John Muir Trail when we encountered him. He was soloing the JMT, and on this day he was going to reach the summit of Mount Whitney. I was part of a group of experienced backpackers who had come all the way across the Sierra from the west side to get here, and we felt like a pretty tough group… until we met him. He wasn’t fast, but he seemed as at ease in the backcountry as anyone I’ve ever met.
Perhaps because of this photograph, and perhaps because I’m considering some trips into the backcountry, and perhaps because I’m no longer a child (well, not in most ways) I’ve been thinking about a string of similar “mature” backpackers I’ve met over the years. Decades ago as Patty and I embarked on our first long backpacking trip we camped near “Sig,” an “older woman” (at least a decade younger than my age today!) who starting her solo of the JMT. On another trip out of Tuolumne Meadows I spoke with a 75-year-old fellow who was starting out on the JMT all alone. If you meet one of these folks on the trail, I urge you to stop and chat a bit — there’s a good chance that the conversation will be memorable.
* Update: My local research department (a.k.a. Patty) found some web references to “Turtle Don” and his adventure. I’ll leave this post with the current title, but it is good to know the right name for this guy!
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.
Giant sequoias at Mariposa Grove, Yosemite National Park
With the Washburn fire in the news, many of us have been thinking about that fire, the fact that the Mariposa Grove has been in its path, the recent destruction of a significant percentage of Southern Sierra sequoias, the role of fire in forest life, and the changes wrought by human-caused climate change. This grove, along with almost all Sierra forests, has a symbiotic relationship with periodic wildfires. A disruption of that cycle — either through complete suppression or the resultant hot and destructive fires that feed on too much undergrowth, enhanced by the changing climate — is dangerous to the long-term health of forests.
Figuring out how to feel about wildfires is complicated. If you were brought up on Smokey the Bear telling us that all fires are bad, it was a revelation to later learn that this isn’t the whole truth. More recently, as we were coming to terms with the idea that fire plays a role in forest health, Sierra fires have become more frequent, larger, and far more destructive. The duration of the fire season is expanding, and the forests are being so badly damaged that some seem to not be coming back.
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.
