We had our first close-up view of the Cuillin Mountains when we arrived on the Isle of Skye. Driving onto the Isle from the east, the road loops southwest at Loch Slighachan, then heads north between the Red Cuillin Mountains, before turning back to the southwest to loop around these peaks. Of course, they are big enough to be visible from many places on and near to Skye, too.
Continue reading Approaching The Cuillin Mountains
I know I’ve mentioned this before, but one thing that impresses about the mountains of Scotland is that they have the appearance alpine terrain in my California High Sierra. There are few or no trees, the only vegetation is the sort that lies under your feet if you walk through it. The peaks are sharp and rugged and rocky. The entire landscape — mountains, streams, valleys — is laid bare. In the Sierra I must go well above 10,000′ to see this. In Scotland it begins barely above sea level.
Continue reading Mountains, Clouds, and Shadows
After six weeks of travel, almost two weeks of it in beautiful Scotland, some location memories begin to blur together. I cannot say precisely where I made this photograph. It was on the day we left Skye and made our way north to Ullapool. My recollection is that we had perhaps passed through some rain at a high point on the route, and we came to this peak and its foreground hill as the weather was beginning to clear, allowing a bit of sunlight into the scene. (It is hard to identify these Scottish peaks after returning back to the US, but this one may be Spidean Coire nan Clach.)
Continue reading Snow-dusted Highlands Peak
My Autumn color hunting season in the Sierra Nevada runs from roughly the very end of September through the beginning of November, as color moves from the highest east side regions to the foothills and valleys of the Western Sierra. A trip to Yosemite Valley right around Halloween is traditional, and this year was there on that date.
While California’s western Sierra isn’t known as a fall color hot spot, there is a lot of beautiful color if you know where and when to look. In Yosemite Valley, much of the color comes from bright yellow big leaf maples, golden-brown black oaks, and yellow-to-red dogwoods. The tree in the photograph is a large oak growing in a Valley meadow. I photographed directly backlit by the sun, just before it moved behind a high cliff.
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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email
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