“Approaching The Cuillin Mountains” — Glowing clouds fill the sky above the Cuillin Mountains, Isle of Skye.
We had our first close-up view of the Cuillin Mountains when we arrived on the Isle of Skye. Driving onto the Isle from the east, the road loops southwest at Loch Slighachan, then heads north between the Red Cuillin Mountains, before turning back to the southwest to loop around these peaks. Of course, they are big enough to be visible from many places on and near to Skye, too.
“A Storm Approaches” — Forest trees stand in sunlight while distant ridges are darkened by the clouds of an approaching Sierra storm.
At first look this might just seem like a photograph of a row of trees. It is late in the day, and the warm light lends color to this forest at Tuolumne Meadows, and it looks like a pleasant early evening. But that bluish strip at the top of the frame tells a different story. Look closely and you can make out a peak, and the peak is backed by higher peaks that are partially obscured by the dark clouds from an incoming storm.
We hear all the time that photography is about light, and there’s truth to that claim. (I would hold that it isn’t always “just” about light, but subjects usually benefit a lot from wonderful light.) One of my favorite situations is the one shown here — something nearby in lovely, warm light, but in the background a darker and more dramatic effect.
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.
Haze and fog along the mountain tops as a storm approaches along the rugged Big Sur coast of California.
This photograph actually from a couple of years ago. (More on that subject in a moment.) I made it on one of my Big Sur day trips, on which I leave home early, photograph before the crowds arrive, and then head home by early afternoon. Yes, I’m fortunate to live close enough to do that. If I recall correctly, on this day I was hoping to beat a weather front to the coast, expecting to photograph the sunny boundary just ahead of the clouds. Conditions were different from what I expected — by the time I arrived at this point the front’s cloud shield was moving over the coastline, becoming more dramatic by the moment. Fog along the coastal hills was dissipating and there was still some haze.
Not only is this photograph from two years ago, but it is a fresh rendition of a scene that I shared at that time, based either on the very same exposure or one made at almost the same time. I went with an (unusual for me) square crop in order to contrast the dark mass of the steep cliffs rising from the sea and the more distant and lighter water, mountains, and sky. For those of you who may occasionally have dreams about where you would like to live, if you look very closely at the dark foreground ridge you might spot a place that could make you very jealous.
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.
Clouds from an approaching winter weather system above Central Valley wetlands at sunset.
Who can resist a winter sunset sky, a reflecting pond, a few bits of vegetation, and distant mountains? I know I cannot. Recently I have written about sunsets several times — once to describe one that surprised me at the end of a rather gray day and another that, well, stayed gray. On both of those occasions I had little idea about how the sunset would turn out, but I stuck around just to see what, if anything, might develop. This time the event was almost predictable. The front edges of a Pacific weather front was approaching, and the line of clouds had been visible for a couple of hours. I almost hate to admit it, but I showed up in this spot only above five minutes before sunset.
In addition to their colorful attractions, sunsets like this one speak to Californians in an additional way right now. It has been (again!) a very dry start to our wet season, and after too many recent drought years we are getting a bad feeling about this winter. So these clouds, signaling something other than more “perfect” blue sky weather, are exciting in their promise of the potential for rain.
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.