My landscape photography often involves what might be described as hunting. I look for the potential of good light conditions and for locations with subject and compositional promise and then I… hunt. I wander, I go with hunches. I use what I know about light and terrain — but often I very much do not set out with a specific photograph in mind. This photograph was not made that way.
Continue reading Tuolumne Meadows, Evening
Photographing in the morning and evening twilight can be a bit of a crapshoot. The light can be soft yet intensely colorful… or it can simply fade away to gray. Familiarity with the patterns of clouds and light can improve the odds, but you still have to head out there and take advantage of whatever happens. That was my plan on this late-August evening when thin clouds stretched across the sky, presenting the possibility of colorful light.
Continue reading Tuolumne River, Dusk
In some places the Sierra Nevada crest can present the classic, rugged alpine scene — high, rocky peaks and ridges that almost appear to be inaccessible. But in other places the land rises a bit more gently, and you can look across open meadows and forests towards peaks that look as if you could just walk to their summits. (In fact, you could walk to the summits in this photograph, but you’d be exhausted, as the highest is over 13,000′ tall.
The water in the foreground belongs to the Dana Fork of the Tuolumne River. Early in the season the meadow here can be lushly green — and quite wet — but by the end of summer, like almost all Sierra meadows, it turns golden. On this day the atmosphere was complex — high clouds would lead to thunderstorms later on, and drifting wildfire smoke obscured distant subjects.
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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email
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I had thought that I was done photographing for the evening when I passed this little lake and saw the fog rising in dusk light. The light was fading fast, so I quickly got out my tripod and set up for some relatively long exposures — this one was 15 seconds. The conditions arose after an afternoon and evening of rain ended and the skies began to clear, allowing fog to appear here and at every other similar body of water.
Photographs in these conditions — essentially twilight — test our understanding of what it means for a photograph to be “realistic.” The truth is that our eyes don’t see like this in extremely low light — so what you get here is a sort of “what the camera saw” image. (The eyes also do not interpolate drifting fog over a 15 second period!)
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email
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(All media © Copyright G Dan Mitchell and others.)
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