Tag Archives: gibbs

After the Storm — Mt Dana and Mt. Gibbs

After the Storm: Mt Dana and Mt. Gibbs
“After the Storm: Mt Dana and Mt. Gibbs” — Mounts Dana and Gibbs in sunset light as a summer storm dissipates.

The best light often comes during or after photographically-challenging conditions. This view was no exception. It had rained for half of the day, hard at times, and I had been more or less pinned down, unable to do much photography. I watched and waited, ready to go, but it wasn’t until perhaps an hour before sunset that the rain finally stopped and it began to clear a bit.

I was camped just outside Yosemite’s eastern boundary, near Tioga Pass, so I quickly loaded up and went into the park. As I arrived in the Tuolumne Meadows area the clouds to the west were thinning and late-day light was staring to illuminate peaks, forest, and meadows, while the remaining clouds in the east made for a dramatic sky.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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After the Storm, Mt. Gibbs

After the Storm, Mt. Gibbs
“After the Storm, Mt. Gibbs” — Evening light comes to Mt. Gibbs and Tuolumne Meadows as an afternoon storm clears.

I have learned that sometimes the light arrives when you don’t expect it. The day had unexpectedly turned stormy, and to my surprise it rained for hours, continuing past the time when Sierra afternoon thunderstorms typically dissipate. I wondered if it would clear at all, but I headed into the Tuolumne area anyway, thinking that I’d surely want to be there if the light did arrive. And it did! Right around sunset the clouds to the west thinned and beams of light played across the landscape.

One of the biggest surprises when I entered the park late on this afternoon was that a significant hail storm had apparently moved through earlier, dropping so much hail that from a distance it looked like fresh snowfall on Mt. Gibbs.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Sierra Crest, Blue Hour

“Sierra Crest, Blue Hour” — Evening lenticular clouds over the Sierra crest and the Tuolumne River.

This is a reinterpretation of an old photograph, one that has long been a favorite but which I’m now looking at differently. Several issues surround the question of whether, when, and how to revise a photograph that you once considered definitive. The most obvious change is the aspect ratio — it formerly used the ubiquitous 4:3 ratio, but now I think it works better with this semi-panoramic presentation. (The old version lost the far right ridge and trees.) I’ve also rethought how I handle the blue tones — when I originally did the photograph I was shy about “going with the blue,” but more recently I’ve embraced it.

All of that background aside, this is a favorite photograph for a bunch of reasons. This was an incredible afternoon and evening of sky and light, and this was one of the final photographs of that day, made in the fading blue hour light. It still astonishes me that perhaps thousands of people were clustered around their campfires in a nearby campground, likely oblivious to this scene, as I stood in solitude along the bank of the river watching the show.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Lenticular Clouds, Alpenglow Reflections

Lenticular Clouds, Alpenglow Reflections
“Lenticular Clouds, Alpenglow Reflections” — Two lenticular clouds in the alpenglow above the Sierra Nevada crest, Yosemite National Park.

This photograph comes from her the end of the spectacular afternoon and evening that I’ve been posting about recently. To quickly recap, I saw lenticular clouds forming over the crest earlier in the day, headed to this spot that I had scoped out previously, then photographed all the way from pre-golden hour through sunset and on into the early dusk. This photograph was made just after sunset, when the pink light was still coloring the sky and the landscape but the blue of evening was gradually taking over.

If you head out into the landscape often to photograph, you will experience a lot of fine but unremarkable days. With care, you can make good photographs in those conditions. You’ll also experience a few “meh” days when nothing happens. (Deny all you want, but you’ve experience it!) But it seems like this earns you an occasional luminous miracle, when everything comes together and amazement ensues. If there is a downside to this, it might be having to explain to people that, “yes, this really happened!” That’s a small price to pay.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.