My landscape photography often involves what might be described as hunting. I look for the potential of good light conditions and for locations with subject and compositional promise and then I… hunt. I wander, I go with hunches. I use what I know about light and terrain — but often I very much do not set out with a specific photograph in mind. This photograph was not made that way.
Continue reading Tuolumne Meadows, Evening
This is another “quiet” photograph — no brilliant colors, not really an iconic location. It simply captures, I hope, something of the feeling of being in the High Sierra as the day winds down, the light warms as sunset approaches, and begin to stretch across the landscape. It is a beautiful time of day — everything slows down, it gets quieter as people go to camp for dinner.
Continue reading Subalpine Meadow, Evening Light
Sometimes when I visit the Sierra I cover surprising distances to get from location to location. But I devoted the entirety of my mid-September visit to the Yosemite high country to locations between Tuolumne Meadows and Tioga Pass. I made this photograph from as far east as I went, right at the pass, where small tarns dot a landscape of meadows and small trees.
This can be a green and even lush place early in the season, but by the end of summer the meadows dry out and turn “California golden.” I made the photographer relatively early in the morning, when clouds were just beginning to build above Mammoth Peak and the Kuna Crest.
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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email
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This photograph comes from her the end of the spectacular afternoon and evening that I’ve been posting about recently. To quickly recap, I saw lenticular clouds forming over the crest earlier in the day, headed to this spot that I had scoped out previously, then photographed all the way from pre-golden hour through sunset and on into the early dusk. This photograph was made just after sunset, when the pink light was still coloring the sky and the landscape but the blue of evening was gradually taking over.
If you head out into the landscape often to photograph, you will experience a lot of fine but unremarkable days. With care, you can make good photographs in those conditions. You’ll also experience a few “meh” days when nothing happens. (Deny all you want, but you’ve experience it!) But it seems like this earns you an occasional luminous miracle, when everything comes together and amazement ensues. If there is a downside to this, it might be having to explain to people that, “yes, this really happened!” That’s a small price to pay.
Leave a comment or question using the form. (Click the title to see the full article and to comment if you are viewing it on the home page.)
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email
All media © Copyright G Dan Mitchell and others.