“Aspen Trees and Beaver Pond” — Sierra Nevada autumn aspen trees line the shore of a beaver pond.
When I first explored this Eastern Sierra Nevada canyon years ago, I went there to find fall color among the aspen trees. I found that in abundance, and I’ve returned every year since then. There were other interesting features, too, including small ponds flooding the canyon floor far up the canyon near where the road ended. Eventually I realized that these were beaver ponds, something I had not really seen in the Sierra. Although I have yet to actually see a beaver here, it wasn’t long before I figured out where their lodges are located.
“Tuolumne Meadows, Evening” — The day’s last sunlight on Lembert Dome the Sierra Crest.
My landscape photography often involves what might be described as hunting. I look for the potential of good light conditions and for locations with subject and compositional promise and then I… hunt. I wander, I go with hunches. I use what I know about light and terrain — but often I very much do not set out with a specific photograph in mind. This photograph was not made that way.
“Lake Manly, Blue Sky Reflection” — Clouds in blue desert sky reflected in Lake Manley.
By the time I made this photograph, the dramatic very early morning light had dissipated, and it was all about blue sky, distant mountains, and fascinating morning clouds. The idea in this image was to move as close to the water as possible to create a photograph that was almost entirely sky and its reflected image. The wedge of mountains serves as visual distance to break up the sky features.
It was not necessary to wade into the water to make this photograph. It was enough to position my tripod at the water’s edge and use an appropriate focal length. That brings up a bit of a issue I have with some folks who photograph here. While I, along with probably dozens of other photographers, were working this scene one photographer waded way out into the shallow lake and stayed there for a long time. If that had produced some photographic opportunity that was unavailable from the shoreline I might have been a bit sympathetic — but it didn’t, and it only interfered with the efforts of all the other photographers. Don’t be that photographer!
“Two Peaks, Clearing Storm” — Clouds from a summer storm begin to clear above two fog-bound Sierra Nevada Peaks.
Rainy weather in the Sierra Nevada often produces post-storm treats, and many of them involve light and clouds and fog. The storms, often brief afternoon or early evening affairs, increase the humidity and drop the temperatures. So once they begin to dissipate it is common to see clouds floating among the peaks, and if you are in the right spot you might even be wrapped in fog. I photographed these two peaks and the clearing sky after one such storm.
The skies are usually clear on most Sierra Nevada summer days. In fact, sometimes they are clear for so long that photographers start to lament the constant blue sky and sun! But every so often moister air floats up the range and afternoon storms ensue. There are no guarantees, but many of them are gone by sunset. The storm that produced these clearing clouds was an exception, a full day of rain that largely kept us tent-bound until this evening.
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.
Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
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