Tag Archives: paintbrush

Elephants Head Flower

Elephants Head Flower
Elephants head flower against the backdrop of a flower-filled Sierra meadow.

Elephants Head Flower. © Copyright 2022 G Dan Mitchell.

Elephants head flower against the backdrop of a flower-filled Sierra meadow.

I’ve always had a somewhat challenged relationship with the identification of flowers (and trees and a few other things) in the natural world. While certain facts stick in my mind (locations, elevations, etc.), it has always been hard for me to hold onto accurate information about plant identification. I usually do recognize the plant, tree, or wildflower… down to the level of knowing exactly where it grows, when it flowers, even what it looks like in its dormant seasons… but when it comes to recalling the plant’s name I’m often at a loss. But this one was new to me on all counts.

I’m told by a usually-reliable source (thanks, Patty… via Keith Walklet) that this is an elephants head flower. I did not know that when I photographed it. I was just attracted by its complex shape, its subtle colors, and its vertical extent against the background of a meadow full of other kinds of wildflowers in the Eastern Sierra Nevada.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Lupine And Paintbrush

The flowers of lupine and paintbrush plants, Pinnacles National Park
The flowers of lupine and paintbrush plants, Pinnacles National Park

Lupine And Paintbrush. © Copyright 2019 G Dan Mitchell – all rights reserved.

The flowers of lupine and paintbrush plants, Pinnacles National Park.

I found these wildflowers — lupine and paintbrush — along the High Peaks Trail and Pinnacles National Park on a recent visit this spring. I had gone there to try to catch the tail end of the spring wildflower season, which was quite good this year following heavier-than-average rainfall. I also felt like it was time for a good hike over some mountainous terrain. This route gave me both.

While wildflower photography constitutes a small portion of my work, I’ve been attracted to the subject ever since I started going into outdoor places decades ago. This year, for the first time, I finally have a macro lens, arguably the ideal tool for this subject. My ideal wildflower subject probably has some combination of the following: an interesting flower or flowers, perhaps some colors that are both striking and interact well, soft light, a background that is either not distracting or which can be made so with focusing techniques. This one group of flowers gave me most of that. In an area that was largely in sun and mostly featured clumps of individual types of flowers, here I found the red paintbrush and the blue/purple lupine juxtaposed in a narrow band of shade.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Desert Indian Paintbrush

Desert Indian Paintbrush
Indian paintbrush flowers in a canyon at Death Valley National Park

Desert Indian Paintbrush. © Copyright 2019 G Dan Mitchell – all rights reserved.

Indian paintbrush flowers in a canyon at Death Valley National Park.

This impressive — and very red! — flower and its neighbors were photographed in Death Valley National Park in early April, as this year’s spring bloom seemed to be getting underway in earnest. Predicting desert wildflower bloom timing is a tricky thing. This year a lot of folks were saying that there wouldn’t be that much of a bloom since the early season had been rather dry. However, very heavy rains swept through Southern California, including Death Valley, in early 2019. An atmospheric river situation developed near the start of March and there was enough rain to flood washes, fill desert playas, and damage many roads. I had an idea that there might be a good bloom this year, but that it might be a bit later than usual. Judging what I saw on my two visits — one in early March and other at the start of April — that is what happened, and a lot of flowers were emerging near the end of that second visit.

I’m going to use the second part of this post to share a little technical consideration to be aware of when photographing intensely colorful subjects, especially those that are yellow, orange, red, purple, or similar colors. It has to do with exposure. Most digital cameras meter the overall light, but they assume that the colors will be roughly balanced. In scenes with extremely intense colors — like those seen on the paintbrush flowers — the camera’s metering system can over-expose a color channel, often the red channel, even when it seems like the exposure is right. Often the safest thing to do when photographing such a subject (flowers, brilliant sunsets, autumn leaves) is to under-expose by about 1/3 to 2/3 stops so that you’ll retain some highlight detail in the intensely colorful subject.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Paintbrush Flowers, Meadow

Paintbrush Flowers, Meadow
Late-August paintbrush flowers blooming in a Sierra Nevada meadow

Paintbrush Flowers, Meadow. John Muir Wilderness, California. August 29, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Late-August paintbrush flowers blooming in a Sierra Nevada meadow

This photograph takes me back a couple of months, and now that autumn is here and aspen season has mostly come and gone, that late summer time seems a long ways off. We were part of a group of photographers and friends who made our way to this backcountry location, where we base-camped and photographed the nearby mountains for nine glorious days. In a more typical summer this part of the Sierra would likely be rather dry by late August, but in this year of record precipitation the meadows were still green and wildflowers were abundant.

We camped on a glacial moraine above this meadow and lake. Despite the size of our group and our presence here for more than a week, I’m confident that most other visitors to the lake would not have even seen our camp. (If they came through in the early morning or evening hours they probably would have found us out making photographs.) Although we stayed here, it wasn’t until rather late in the trip that I finally got around to photographing this meadow. I guess it was too close that I focused more on subjects that were a bit further away. The photograph focuses on the multi-colored paintbrush flowers growing in the meadow, and it includes the mountains across the valley that were “in our sights” for the whole time we were there.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.