Tag Archives: looking

On Patrol

On Patrol
A serious-looking New York policeman standing against a sunlit wall on Fifth Avenue.

On Patrol. © Copyright 2022 G Dan Mitchell.

A serious-looking New York policeman* standing against a sunlit wall on Fifth Avenue.

By now, I almost feel like I know this officer — since I have shared two previous photographs of the guy. The fact that I have so many is indicative of his, uh, relatively low level of active patrol efforts. To be fair, it was a nice sunny spot, and if I were him I probably would have lingered there, too. Plus it was a great spot from which to watch the Columbus Day parade passing by.

Although he didn’t move more than a couple of feet while I watched him, he did engage with his surroundings. I watched a back-slapping exchange with a passerby that he seemed to know. He was observing, and at one point he was aware that I was photographing. His demeanor has changed a bit in this photograph. In the earlier version his legs are crossed and he’s actually leaning on the wall. Perhaps I made this after he saw me? Now he stands erect, looking intently into the street scene.

*Update: I originally referred to the subject as a “NYPD” officer. Several people who are more familiar with that subject than I suggest that he may actually be a private security guard. I’ve altered the description here to account for that.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Pacific Ocean, Big Sur

Pacific Ocean, Big Sur
Looking west across the Pacific Ocean from the Big Sur mountains on a quiet autumn day.

Pacific Ocean, Big Sur. © Copyright 2022 G Dan Mitchell.

Looking west across the Pacific Ocean from the Big Sur mountains on a quiet autumn day.

Views like this never fail to make me pause. There’s something about an expanse of “empty” earth, whether liquid or solid, that focuses the attention. It could be standing at the Arctic Circle and looking north (which I’e done only once), viewing expansive desert terrain from a mountain ridge, or looking across the ocean toward the distant horizon from a high viewpoint. I’m not sure I can articulate the attraction precisely, but it includes the immense space, the absence of obvious human presence, and the encounter with deep time in a place that has probably looked like this for what seems like forever.

Perhaps ironically, this particular view is from a spot along the Pacific Coast Highway that can be crowded ruing the high tourist season. However, on this late-autumn weekday morning there was almost no one else around, and I shared this spot with a single cyclist who had stopped for a snack at the top of the climb.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Across Owens Valley

Across Owens Valley
Look across Owens Valey from a perch high in and Eastern Sierra canyon

Across Owens Valley. © Copyright 2019 G Dan Mitchell – all rights reserved.

Look across Owens Valey from a perch high in and Eastern Sierra canyon.

The east side entries to the Sierra Nevada high country bring all sorts of associations for me. My earliest experience with the range was always on the west side, coming across the great Central Valley, rising into the foothills, entering the great forests, and much later finally getting in sight of the highest, rocky peaks. My first trip to the east side, at least the first one I can recall, came much later. A friend roused me from my comfortable west-side stupor. He had gone to grad school at UCLA, and thus his orientation to the range was to drive up through the desert, parallel the immense eastern escarpment for miles, and then ascent abruptly into the range. After going into the range that way once… I was hooked.

Almost any east side entrance or exit will also produce long views into the depths of Owens Valley, and across that dry valley to the Inyo and White Mountains. These comprise quite a mighty range on their own, and the many are often surprised by their first view, when they discovered the there are peaks to the east and are just as high as those of the Sierra. I made this photograph near a trailhead in one of the east side canyons. We were just heading out for a week of backcountry photography in Sequoia-Kings Canyon, and as we started up the trail I paused to look back to the east.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

Blog | About | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.