“Morning Clouds, Lake Manly” — Morning clouds and distant mountains reflected in Lake Manly, Death Valley.
Arriving at Lake Manly to photograph on this late-February morning, I would have rated the conditions as “OK but not stupendous.” I was hoping for a colorful desert sunrise over the reflecting waters of the temporary lake, but clouds muted the intensity and color of the light. My practice is to not give up but to instead find other ways of seeing the landscape. I kept photographing, and soon realized that the morning was special in different ways than I had expected.
“Lake Manly, Morning Clouds, Reflection” — Panamint Range and morning clouds reflected in Lake Manly, Death Valley.
This season I took advantage of the rare opportunity to photograph reflections of desert mountains in Death Valley. We were there just before Christmas 2025 and then again near the end of February 2026. The Lake Manly was there both times, though it had visibly diminished on the second visit. But from up close its surface still reflected the surrounding mountains and sky.
“Desert Mountains and Reflection, Morning” — Panamint Range mountains, clouds and morning light, reflected in Lake Manly.
Here is another morning photograph on Manly Lake. I know — that is a LOT of photographs of this feature! But I had several beautiful mornings there this season, and each produced quite a haul of pictures portraying different moods and surroundings. At the moment I made this one, a band of light was striking a ridge descending toward the lake, while the foreground and more distant shadows were in muted light.
“Wetland Island and Fog” — Tule fog mutes the wetland landscape beyond reed-covered islands.
Fog can make photography wonderful… or difficult when I photograph migratory birds in California’s Central Valley. There are practical issues, such as driving on roads that are dangerously obscured, or not being able to see the birds in the murk. It is cold and damp. But I love the atmosphere that tule fog brings to this landscape, and that’s why I keep going back.
I also like the way that it lets me “minimize” the landscape. Fog blanks out any subjects that are not close to the camera position. On a clear day you would see trees, possibly utility lines and poles, a sky with clouds, and who knows what else. But when the fog is thick all of those distractions disappear and I can work with the most minimal of materials.
