It looks like I’m finally coming to the end of this season’s Death Valley Photographs. But there were quite a few, many featuring Lake Manly, the temporary lake flooding Badwater Basin. When the lake appears after a wet year it gives us an unusual opportunity in this desert landscape — to photograph reflected sky and mountains where we would usually see a salt flat.
Continue reading Morning Sky, Edge of Lake Manly
This is a place I visit frequently, to the point that some individual trees start to feel like old friends. Among these trees there is a small observation platform, placed there for people who wish to view birds in the nearby ponds. I have stood on the platform many times!
I would not usually photograph this scene — though I have done so in thick fog on a few occasions. But on this evening the scene was a bit special. The warm late-day light was part of it, and the reflection was clear in the unusually still water.
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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email
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By the time I made this photograph, the dramatic very early morning light had dissipated, and it was all about blue sky, distant mountains, and fascinating morning clouds. The idea in this image was to move as close to the water as possible to create a photograph that was almost entirely sky and its reflected image. The wedge of mountains serves as visual distance to break up the sky features.
It was not necessary to wade into the water to make this photograph. It was enough to position my tripod at the water’s edge and use an appropriate focal length. That brings up a bit of a issue I have with some folks who photograph here. While I, along with probably dozens of other photographers, were working this scene one photographer waded way out into the shallow lake and stayed there for a long time. If that had produced some photographic opportunity that was unavailable from the shoreline I might have been a bit sympathetic — but it didn’t, and it only interfered with the efforts of all the other photographers. Don’t be that photographer!
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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email
All media © Copyright G Dan Mitchell and others.
This is another of my “too foggy to photograph birds” photographs from California’s Central Valley. Back in mid-January I headed out there after reading reports of tule fog, something that attracts me to the area in winter. The fog can produce a wonderful, mysterious atmosphere, and as conditions transition from thick fog to sunlight there are diverse photographic opportunities. Unfortunately, that transition never came during this visit, and it was thick fog all the way!
As I write this in early March we are likely days away from the departure of migratory geese, who head back north every year by mid-month or so. I’m hoping to squeeze in one more visit before they depart, but there’s not much time left. (Depending on where you see this post, the date may have already passed!)
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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email
All media © Copyright G Dan Mitchell and others.