Tag Archives: edge

Morning, Forest at Meadow’s Edge

Morning, Forest at Meadow's Edge
“Morning, Forest at Meadow’s Edge” — Three generations of lodgepole pine forest at the edge of a Sierra Nevada meadow.

From the time I first visited Tuolumne Meadows (decades ago, as a child) I remember hearing that the meadows were being gradually overtaken by the forests. (I later learned that the story is not quite that simple.) This stuck with me, and I’ve always been intrigued by the boundaries between meadow and forest. This photograph shows three age groupings of pines next to this meadow — the three big and old trees left of center, a dense stand of younger tall trees at the right, and a thick line of “baby trees” extending from the left edge beyond the three big trees.

This was a special morning at Tuolumne. It was the first day of July, in a year when the campground would not open for another month. Park entrance restrictions further limited the number of visitors. I camped just outside the park and was able to enter before dawn. I had the landscape almost entirely to myself as the sun rose and light fog cleared from the meadow.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Afternoon Light

Afternoon Light
“Afternoon Light” — Storms build as late afternoon light shines on a Sierra ridge, across the water from a rocky bluff and a patch of snow.

In the backcountry I usually spend the first and last few hours of the day photographing. In the morning I’m up before sunrise and not back in camp for hours. I head out again hours before sunset and usually keep at it until it is nearly dark. I made this photograph near the start of one of those afternoon sessions, as shadows lengthened and clouds from nearby storms added drama to the landscape.

The parallel forms of the very close and very distant ridges caught my attention, along with the beautiful green color of the inclined meadow on the other side of the lake. Technically this was a fairly difficult exposure, due to the difference between the brilliant white of sunlit clouds and the deep shadows in the left foreground exceeded that capabilities of my (or just about any) camera.


Leave a comment or question using the form. (If you are reading this on the home page, click the article title to see the full article and the comment form.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Dawn, Pond and Mountains

Dawn, Pond and Mountains
“Dawn, Pond and Mountains” — Sunrise light strikes Sierra Crest peaks and is reflected in the surface of a subalpine pond.

I recently spent a few days backpacking with long-time friends and few new friends. We headed into the mountains just east of Yosemite and the Sierra crest, spending days in a high place — we were just above 10,000′ the entire time. We camped near this pond, so I was up before dawn to be here for the sunrise show as the first light appeared on the high peaks to our east.

Traveling in the backcountry with non-photographers is always a different experience. During the past few decades I have mostly backpacked by myself or else gone out with other photographers. We photographers have our odd rituals: up in the darkness, breakfast at mid-morning, dinner before the good evening light, then out to photograph and not back until dark. Sometimes I wonder if the others think I’m some kind of ghost.


Leave a comment or question using the form. (If you are reading this on the home page, click the article title to see the full article and the comment form.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Fog at Forest’s Edge

Fog at Forest Edge
“Fog at Forest’s Edge” — Morning fog drifts among forest trees after rain, Yosemite National Park.

There is enough of a story behind this photograph that I will eventually post an article about it in my “A Photograph Exposed” series. It involved an afternoon and evening of heavy rain, a subsequent morning of fog and mist, moisture-enhanced colors, and a subject that I have almost intentionally chosen not to photograph much at all for decades. It is, obviously, a scene where a forest meets a wet meadow, photographed on a morning when fog drifted from that meadow and through the trees.

I was up early — likely around 4:00AM — since I suspected that there might be fog and mist on this morning after heavy rain. As I drove over a pass to get here there were piles of hail everywhere from the previous evening’s storm. Soon I came to a familiar small lake — the one that I almost never photograph — and I saw fog rising from the lake and drifting into the trees.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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(All media © Copyright G Dan Mitchell and others.)