This is another photograph from the Alfama district of Lisbon. The neighborhood is the original center of historic Lisbon, though it later became home to lower income people. It escaped the destruction from the 18th-century earthquake that leveled large portions of the city, so it retains the narrow lanes, steep hills, and older buildings of an earlier era.
Continue reading Travessa de Sâo Miguel
I know. Laundry hanging above urban homes in foreign cities is more than a bit of a cliche. I’ll try to minimize it, but sometimes I cannot resist. Here it is really more about the wild range of colors in the photograph, from that laundry to the colorful overhead streamers above the lane, and the contrast with the other less-colorful surroundings.
Continue reading Alfama Laundry
On this evening we had crossed the Douro River via the famous Dom Luis I bridge to join the throngs watching the sunset from its south side. People staked out viewing locations almost everywhere, though the Garden of the Moors area seemed to be the most popular — with musicians and food carts ad more. We took a different approach and climbed up to the Mosteiro da Serra do Pilar.
After sunset we started our walk back to the north side of the bridge and our lodgings along the edge of the Ribeira district. Dusk was arriving as we re-crossed the bridge, so I paused to photograph the scene — the lively waterfront area, the buildings rising up from the river, the water’s winding path toward the sea, and some evening clouds overhead.
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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email
All media © Copyright G Dan Mitchell and others.
This is another photograph from our stroll through Lisbon’s Alfama district — the oldest part of the city, and a place of narrow, twisting walkways and steep hills. It is also an area with a history of poverty. Here a window is open to reveal plants growing in pots.
I have a theory about a difference between dwellings in places like this and in American suburbia. In the US, where people may have front yards, a few trees, and possibly a single-family dwelling, they use that front space to present themselves — decorating, maintaining, and designing it with appearance in mind. In places like Alfama, the opportunities to do this area far more limited — and my notion is that perhaps more attention is spent on the interior space and that front exterior is often left as is.
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email
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(All media © Copyright G Dan Mitchell and others.)
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