“Max Headroom 14 Feet” — A roll-up garage door in an alcove, Aberdeen.
Our May visit to Aberdeen, Scotland marked a transition on our trip. We had just completed a week-plus driving tour of Northwest Scotland, where we spent a lot of time in rural and wild areas. After returning our rental car in Inverness, we went straight to the station and boarded a train to Aberdeen, where we planned a quiet stop before heading on to Ireland. Why Aberdeen? Patty had visited the city decades ago when she went to the UK for an international orchestra festival. She wanted to return and see what she might remember of Aberdeen.
A wall with graffiti and politcal slogans at night in San Sebastian, Spain
This photograph is from Donostia San Sebastián, Spain — made during a nighttime walk through a lively district of popular bars, pintxos places, and more. (We are now great fans of the pintxos scene.) Having said that, this particular spot obviously wasn’t the most lively, being in a small square mostly lacking such businesses, but having plenty of interesting forms, lighting, colors and textures.
Back home I often avoid including graffiti in my urban photographs, but here it was hard to avoid and it seemed like an aspect of the place. I think that it was the light, colors, and forms that initially caught my attention, and it wasn’t until we got home and I began to work on these photographs that I looked up a translation of the Basque language slogan on the left door: “Accept what is there or join the fight.”
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.
A pair of roll-up doors on a San Jose industrial building.
Collecting quotations about photography is an occasional hobby of mine. (Making them up is, too!) One of my favorites comes from Minor White: “One should not only photograph things for what they are but for what else they are.” (There are several slightly different versions of this remark, so I suspect it is something that he referred to a lot.) This is a powerful and loaded observation, it has quite a few implications, and it points an appropriately wagging finger at those folks who seem to think that photography is nothing more than a way to “capture” things in some form imagined to be “objective.”
This is, perhaps obviously, one of those photographs of “what it is” and “what else it is.” The objective reality of this subject is pretty mundane — a pair of metal roll-up doors on a light-industrial building. I photographed it in bright, harsh sunlight, and the original includes colors not present in the monochromatic presentation I chose here. So, a couple fo doors, a bit of wall, and some dark concrete. Yet, that’s not what I really “see” when I look at this photograph — for me that “what else it is” is the main focus, to the point that I have to almost remind myself of the original subject.
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.
This photograph is a bit of a study in “accidental geometry” that I encountered while on a walk earlier this fall. The two roll-up doors are almost but not quite perfect mirror images, but the surrounding walls are almost opposites, light and dark, and the whole thing is set off by horizontal areas at the top and bottom. There is one little asymmetrical element in the numbers next to the right door — but even there you can find a certain interesting formal pattern if you look for it.
This probably doesn’t seem like my usual subject, but I can assure you it is the sort of thing I see quite often — more often, in fact, than autumn aspens, rugged seashores, deserts, and alpine mountains. It is the terrain of my regular pandemic walks in a circle that extends across a several mile radius from our home. In one direction I often end up passing through light industrial areas, including some that might seem just a bit sketchy. In fact, as I made this photograph I was standing within feet of the temporary pandemic homes of trailer-dwellers parked on the street.
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.
