This was a bit of an opportunistic photograph. If I recall correctly, we had gone looking for coffee and pastry (or was it lunch?) in Bath. We heard about a little place that was supposed to be popular and headed that direction. It was just a bit outside the main tourism areas of the town, and we were starting to see some places that were a bit less oriented to out-of-town visitors.
Continue reading S.K. Plastering And Developments
I made this photograph the English town of Shrewsbury. (More about that place below.) If a photograph is “about” something, this one is about more than one thing. To be sure, it is a record of a specific spot in a particular town, a doorway to a building with a sign for “Alfred Mansell & Co. Auctioneers.”It is perhaps a record of some history, too, given the old brick walls, the weathered doorway, and the cobblestones at the bottom of the frame. But most of all, I think it is about color, the “temperature” contrast between the warm tones of partially-sunlit bricks and the very cool blues of the doorway in shadow.
Continue reading Blue Door
There’s perhaps more going on in this photograph than meets the eye. Some elements didn’t fully register when I made the exposure, and in all likelihood there are more that I don’t yet understand. The photograph is from the Kosovo town of Peja, and “Birra Peja” is reportedly made from the water of the White Drin River, an important element of the Kosovo landscape with its source in the mountains just outside town.
The first thing that I noticed was the stenciled blue text on the white wall, along with the (hard to see) red stencil of a person whom I presume to be a Kosovo political figure of some sort. (The English text says “WHO ARE WE?!”) But the red signs, near and far, were also obviously part of the attraction of the scene, as were the particular products: the beer, a drink called “GO+,” and the smaller “Prima Pizza” sign. I’ll leave readers and viewers to ponder what else might be there.
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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email
All media © Copyright G Dan Mitchell and others.
This is not the first time I have photographed this sign. I walk a lot, and one of my routes takes me past this place, the site of a venerable light industrial business in San Jose. The accidental abstraction of the shadows from the neon light always gets my attention, and I can barely see the actual sign now that this comes to the foreground of my attention.
This place is located in an area that is rapidly changing. Years ago it was filled with small businesses and light industrial sites, the latter likely because of its proximity to a rail hub. Over time, like so many similar areas, it began to decay — there are now many abandoned buildings and closed businesses. However, this area that was formerly considered to be far enough from the city center to house less attractive businesses now feels like it is in the center of town. It is rapidly become a development site with new apartments and businesses. It won’t be long before places like “O.C. McDonald” are lost to memory.
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email
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(All media © Copyright G Dan Mitchell and others.)
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