Tag Archives: roll-up

Roll-Up Door, Night

Roll-Up Door, Night
A metal roll-up door, old windows, and buildings in multi-colored night light

Roll-Up Door, Night. © Copyright 2018 G Dan Mitchell – all rights reserved.photo description

A metal roll-up door, old windows, and buildings in multi-colored night light

This is another photograph from my recent “alumni night” with The Nocturnes at the historic Mare Island Naval Ship Yard in Vallejo, California — a location where I did my first night photography about fifteen years ago, and to which I return at least a couple of times every year. The places is a sort of Mecca for Bay Area night photographers, almost all of whom have made the place a subject at some point. It holds very old historic ship yard buildings and structures, some areas that are essentially abandoned, a few areas undergoing redevelopment, and the effects of the ever-present San Francisco Bay that surrounds it.

Some things remain the same and others change. This photograph holds a bit of both extremes. The buildings in the scene have been there a long time and I have photographed them in the past. However, the lighting has changed significantly. This used to be an area of extremely dim light, but now there is a new facility just to the left of the area in the frame, and when anyone approaches security lights are activated and they cast a glow across the faintly green building. Its color controls with that of the more distant concrete building illuminated by an entirely different type of light.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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A Shadow

A Shadow
A shadow falls across a Seattle sidewalk and roll-up door

A Shadow. Seattle, Washington. September 8, ,2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

A shadow falls across a Seattle sidewalk and roll-up door

In early September I had the opportunity to spend several days in the Seattle area. I was actually there on a sort of business — not photography related — but I did have enough spare time that I could do some photography, too. It turned out that I had two opportunities. On nearly the last time of the trip I managed the long drive to the North Cascades, where I photographed in the Mount Shuksan and Artist Point area for an afternoon. Before that I managed to head to downtown Seattle for a bout of street photography. This photograph comes from that visit.

When I do street photography I work in ways that are both related to my landscape photography and also different. In both cases I tend to only select general subjects ahead of time, preferring to head out and explore and see what I can find. In both cases I am looking not just for “depictions” of the subjects, but also for bits of visually interesting material that might stand on their own outside of the specific location context. Of course, I use different equipment — for street I leave the tripod behind and I work with a small camera, typically using one or two small prime lenses. As I walk, often slowly, I am attentive to what is around me. I am discrete with the camera, only lifting it in front of me when I make a photograph. I often spot something, make the photograph, and move on quickly. (Not always, though. Some subjects demand more patience or are worth a careful exploration.) I may photograph people, architecture, or fragments of the scene. This is one of those fragments, an odd shadow falling across the slightly warped geometry of the metal roll-up door, and offset by the tilting sidewalk below.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Garbage Man Gate

Garbage Man Gate
Garbage Man Gate

Garbage Man Gate. Brooklyn, New York. December 27, 2013. © Copyright 2014 G Dan Mitchell – all rights reserved.

Sheet metal fence, roll-up door, trash, and hand-written message to the garbage man, Brooklyn

“Please close and lock this gage. Garbage man”

I know this will baffle a few readers… but there you go. I’m tempted to offer little explanation and let you make of it what you will. This small vignette comes from a semi-industrial area beneath a bridge in a section of Brooklyn, New York. Is that cryptic enough? ;-)

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Door Number Fifty-Five

Door Number Fifty-Five - Door #55, rusted frame, and weathered concrete wall, San Francisco.
Door #55, rusted frame, and weathered concrete wall, San Francisco.

Door Number Fifty-Five. San Francisco, California. April 20, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Door #55, rusted frame, and weathered concrete wall, San Francisco.

This will be the first in a series of three “door photographs” I made in one small waterfront alley along San Francisco’s Embarcadero one morning in April. This alley lies behind a steel gate that has often been closed when I have passed by before. I’ve been intrigued by the spot, but unable to do more than try to look through the closely spaced mesh of the gate, but on this morning the gate was wide open and people seemed to be coming from and going to some businesses or offices beyond, so I just walked in and made some photographs of the appealingly decayed parts of the old buildings on this pier.

Several of the doorways, featuring large roll-up doors, were marked by numbers simply stenciled directly on the rough concrete walls. All of the exterior surfaces showed signs of neglect and the whole scene had a utilitarian quality about it – not a thing appeared to have been done to intentionally improve the look of the place. The concrete was marked with seemingly-random splotches of paint, the large check mark you see here and more. The rusted frame of the doorway looked someone might have run into it with a truck or some other large thing at some point, leaving it bent awkwardly inward.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.