Tag Archives: roll-up

Photographs: Pandemia, Photographs: Urban/Street

Green Wall, Autumn Leaves

Image November 9, 2020 G Dan Mitchell Leave a comment

Doorway, green wall, roll-up door, a pylon, and autumn leaves at an urban business.

This is a photograph I made on one of my long, almost-daily “pandemic walks” that circle out from my neighborhood to include everything from residential neighborhoods to light industrial areas and more. This building is along one of my common routes, and I probably pass by several times per week, usually without paying it much attention.

Scenes like this seem to me to contain more than might be immediately apparent. Objectively it is just a door in the side of a boring concrete industrial warehouse. But a few of the oddities attract me —‚ the brightly colored pylon, the oddly tilting yellow pole with its shadow pointing to the door, various geometries, and that wild green color.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Photographs: San Francisco, Photographs: Structures and Objects, Photographs: Urban/Street

Double-Five

Image July 8, 2020 G Dan Mitchell Leave a comment

Weathered, decaying subjects and subjects with strong patterns attract me, and this one works on both counts. I photographed it a few years ago while wandering around in San Francisco and poking my camera into odd little corners and alleys. This is in a shoreline area that was once a location of true maritime industry, but which is today much like the rest of San Francisco — in other words a place for small offices, start-ups, restaurants and similar enterprises.

The stenciled numbers did catch my attention when I first saw this little scene. Initially I think that their weathered character may have been responsible. But more recently I have wondered about them. Do they still mean something or are they now remnants divorced from an earlier context? Is the message “5” or is it “55?” And what, if anything, is the relationship between the two different fonts used?

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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Photographs: France, Photographs: Travel, Photographs: Urban/Street

Wall, Rue de Braque

Image August 26, 2019 G Dan Mitchell Leave a comment

Detail of a wall next to sidewalk on Rue de Braque, Le Marais, Paris.

I photographed this little vignette while walking around Le Marais in Paris during our visit last summer. We stayed on the edge of this historic district of old buildings and very narrow streets, and we had lots of opportunities to walk everywhere. I’m happy to simply wander here, looking and seeing what shows up.

The street name caught my attention, of course, and to my eye (which is not profoundly sophisticated when it comes to art history) the color palette and the shapes brought to mind the work of the artist himself. I would usually choose to photograph in earlier or later soft light, but I’ve learned to like the start summer light here, too.

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Photographs: Architecture, Photographs: Night

Roll-Up Door, Night

Image December 14, 2018 G Dan Mitchell Leave a comment

This is another photograph from my recent “alumni night” with The Nocturnes at the historic Mare Island Naval Ship Yard in Vallejo, California — a location where I did my first night photography about fifteen years ago, and to which I return at least a couple of times every year. The places is a sort of Mecca for Bay Area night photographers, almost all of whom have made the place a subject at some point. It holds very old historic ship yard buildings and structures, some areas that are essentially abandoned, a few areas undergoing redevelopment, and the effects of the ever-present San Francisco Bay that surrounds it.

Some things remain the same and others change. This photograph holds a bit of both extremes. The buildings in the scene have been there a long time and I have photographed them in the past. However, the lighting has changed significantly. This used to be an area of extremely dim light, but now there is a new facility just to the left of the area in the frame, and when anyone approaches security lights are activated and they cast a glow across the faintly green building. Its color controls with that of the more distant concrete building illuminated by an entirely different type of light.