For some reason I can’t quite define, doors seem to be a popular photographic subject. Perhaps it is curiosity about what lies behind them — both the prospect of something being hidden and the notion of leaving one space and entering another. I often photograph them without quite knowing why, only intuiting that they appeal to me. Here I liked the contrast between the cold and angular nature of the stone structure and the the organic forms painted on the doorway.
Continue reading A Doorway
Our December visit to Montpellier, France obviously took place during the holiday season. Although it was cold and occasionally rainy while we were there, the streets were often filled with shoppers and others out on the town. The colorful cloths tied to lines spanning the narrow streets were everywhere. I later read that these come out for many holidays and special occasions here.
Along this narrow street a nearby shop had expanded its space outside along the walkway, offering holiday cards and similar items to passers-by. It was daytime when I made the photograph, but this street is so narrow and the buildings so tall, that it felt like twilight on the walkway — except here were lights were turned on.
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email
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I have been looking forward to posting this photograph, the final in the Current series featuring these Piaggio Ape three-wheeled vehicles that I photographed in Italy. In the other cases the vehicles were also small “pickup trucks,” but they looked rather utilitarian. For all I know, this one may serve such a purpose, too. But it sure goes way beyond that with its visual appearance.
It was parked along a street in Orvieto when I photographed it. There was no one around who could give me a hint about what its purpose is or what it might mean. But it was quite a sight. The basic paint job is decidedly non standard, but the owners have gone well beyond that simple modification, as you can probably see.
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.
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