There is something. a little unusual about this post. I didn’t pick this photograph so much for aesthetic reasons as for its inclusion of some fascinating features in this part of Death Valley. Let’s start with the obvious. There are desert gold wildflowers in the foreground, but if you look closely you can see many more of them across this broad Vally on the dark hillside. Keep reading to learn something about that hillside.
Continue reading Southern Death Valley
As always, cracked desert mud turns out to be an irresistible subject. I photographed this little patch in the northern portion of Death Valley. We arrived as broken clouds were developing, and that gave us varied light as shadows moved across the landscape. I made this photograph in the “in between” light — not full sun, but strong enough to be directional. The mud patterns are interrupted by the pieces of old wood, but that’s not all to notice in this little scene. Look closely and you’ll see a variety of spring plants beginning to grow in this seemingly-barren terrain.
Continue reading Stick in the Mud
This little geological vignette intrigued me. While exploring an area in Death Valley featuring very dark, fine gravel that almost has the appearance of shallow dunes, I came across low flat areas where water has obviously collected in the past. Now there was a surface of old mud, cracked into separate pieces as it dried, a familiar desert sight. But here this surface was pockmarked with small black stones.
Continue reading Mud And Stones
I have been sharing a lot of photographs from this year’s spectacular wildflower bloom in Death Valley National Park — and I’m not quite done yet! In dry years one may have to go off searching (sometimes in vain) for landscape-carpeting flowers like these. But this year, after a previous season of good rainfall the flowers were easy to find.
How easy? I made this photograph just a few minutes from the busy Furnace Creek area. Here the desert gold flowers spilled across a broad wash, past small hills, and on into the more distant wide valley. Beyond are the dark hills at the north end of the Black Mountains.
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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email
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