Tag Archives: arid

Desert Plants and Dried Mud

Desert Plants and Dried Mud
“Desert Plants and Dried Mud” — Small desert plants sprout on dry and cracked mud.

When spring (or late winter, actually) arrives in Death Valley National Park after a wet season, a striking show of wildflower can appear. It seems incongruous in this arid landscape, and it can be spectacular. Uncountable colorful wildflowers cover normally-dry gravel slopes. A closer look reveals even more plants underfoot, where tiny sprouts suddenly appear in many areas in the park.

This photograph focuses on that subject, and a close look reveals more and more little things in the frame — various sorts of new plants, bits of old vegetation, and more. And all of this appears against one of the subjects most irresistible to photographers, dry cracked desert mud.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Badwater Basin to Telescope Peak

Badwater Basin to Telescope Peak
“Badwater Basin to Telescope Peak” — Telescope Peak and the Panamint Range, seen from the shoreline of Lake Manly in Badwater Basin.

There are a few unusual things in this Death Valley photograph featuring Telescope Peak. Superficially, snow at Death Valley might seem unusual, but while it is at lower elevations that usual, these peaks are often snow-capped in winter. More unusual is the band of water at the bottom of the frame — that’s Lake Manly, which may temporarily form in Badwater Basin during wet years. The photograph includes the lowest elevation in the park (Badwater Basin) and its highest (Telescope Peak.)

What lies between those extremes is remarkable, too. That is a rise of over 11, 300′ from below-sea-level Badwater Basin to the summit of the peak. Between those two is some extremely rugged terrain that ranges from low desert to the alpine zone, with everything in between.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Desert Gold Field

Desert Gold Field
“Desert Gold Field” — Late afternoon light on field of desert gold wildflowers in southern Death Valley.

A day or two ago I thought that I was finished with the photographs from our late-February visit to Death Valley. But I decided to make another pass at the raw files from the trip, and I found a few more photographs that I think help fill out the story of this trip. (Update: Since I wrote that I have found even more!) The highlights — and my primary photographic targets — were the exceptional wildflower bloom and Lake Manly. Here’s another of the wildflower photographs, one which illustrates the extent of some of the larger fields of color.

If you visit this spot during most of the year you might not notice much vegetation at all. Aside from a few bushes, it would mainly give the appearance of a gentle gravel slope. But in February the desert gold plants were taking full advantage of the season’s above-normal rainfall, and some places like this one were more or less carpeted with colorful flowers.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Wildflowers, Playa, and Mountains

Wildflowers, Playa, and Mountains
“Wildflowers, Playa, and Mountains” — Desert gold blooms on gravel hills backed by Death Valley playa and desert mountains.

This was one of the first photographs I made on our late-February visit to Death Valley National Park. It was literally the first time I took the camera out after arriving, and the second exposure I made. We had entered the Valley, crossed it, and were starting our drive toward Beatty, Nevada. I felt that the scene encapsulated the scale of this valley and the surrounding desert mountains, and the patch of desert gold flowers was the icing on the cake.

When arriving at a location after a very long drive, it can be tempting to just set up camp or go to the hotel and crash. But I prefer to take the camera out and at least “prime the pump” by making a few photographs. That helps get things going, and marks my switch to photographer mode for the rest of the visit.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.