“Autumn Lake, Dawn, Eastern Sierra” — Dawn light comes to an Eastern Sierra Nevada lake surrounded by autumn aspen trees and reflecting distant peaks.
Every August there is a day when something changes in the light and the air, and I clearly sense that that summer is going to end soon and fall will arrive. I think that today may have been that day where I live.
Autumn in a quiet evening aspen grove in the Eastern Sierra Nevada.
It is easy to focus on the largest and most impressive elements of the Sierra Nevada landscape — I know that I often do. The range is full of rugged peaks, deep valleys, forests draped across miles of terrain, and more. But eventually, if you spend enough time in this landscape, it becomes apparent that there are things to see (and photograph) almost everywhere… and not just in the iconic places. If you asked me where this photograph was made, I could tell you the precise location — but why? There are countless equivalent scenes all over the range!
The photograph illustrates another principle of photographing such subjects: sometimes “bad light” is actually good light. I made the photograph after the sun had set behind the surrounding tall mountains, as the day’s light was quickly fading. But I love photographing trees — especially autumn aspen trees — in this marginal and soft light. The harsh highlights and shadows are gone and gentle light suffuses the scene.
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.
Layers of colorful autumn aspen trees ascend the slopes of the Eastern Sierra Nevada.
We spent time in the Eastern Sierra Nevada this past week, mostly searching for autumn color up and down the range. It seemed like a good year for fall color. If 2023 has a “fall color personality” it might be that the colors seemed to take off all at once across a broader range of locations and elevations than is typical. While things may have peaked this past week, at least by some measures, there should still be fine color for another week or so, especially at lower elevations and in more sheltered areas with larger trees.
I made this photograph in soft evening light, generally my favorite type for this subject — along with soft morning light of course. While intense sunlight can produce extremely saturated colors, especially when the trees are back-lit, soft light tends to reveal details, especially in the shadows. Here layers of trees march up the slopes of the Eastern Sierra toward the crest.
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.
Morning haze obscures distant hills above badlands formations, Death Valley Naitonal Park.
This scene came as a complete surprise. I arrived at this location on a low ridge before dawn and photographed some striking geological formations to my north as the sun came up, gradually filling the landscape with light. Finishing with that subject, I turned around and looked in the opposite direction. Backlit haze had descended on the barren landscape and was glowing in the morning light.
In clear weather, this view reveals badlands in the foreground and dark and tall mountains beyond. But the light made the haze luminous and muted the details of the terrain. I’ve seen such atmosphere in this landscape before, but more often it has come as the result of dust storms. But this was a quiet and nearly still morning.
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.
Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
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