“F-35” — An F-35 does a low pass in Death Valley Naitonal Park.
This is not exactly my typical Death Valley National Park photograph, but for better or for worse, low fly-overs (and high altitude maneuvers) by military aircraft are part of the experience there. The park is virtually surrounded by military reserves and bases, and the atomic test site is not far to the east — in other words, there’s a heavy military presence in the area. My understanding is that part of the agreement that led to the establishment of the national park was a concession to allow overflights of the park.
Those who recall the events of 9/11 have a variety of memories of that date and what followed. The subject is too big for me to claim to address it in two paragraphs and a photograph, so I’ll simply recall a few things of my own from that date. Back then it was my habit to get up early, turn on the radio while having breakfast, and listen to news. The first report here on the West Coast lacked much detail but mentioned a plane hitting one of the towers. I immediately thought of older incidents where small planes struck tall buildings, and I assumed it was such a story. But from there began a crescendo of news that got worse and worse over the day and beyond — thousands died and America went to war and the effect still reverberate.
On a visit to New York around New Year’s Day 2000 we had ridden the elevators and climbed the stairs to venture out on the catwalks above one of the towers at night. Among other things, we had watched passing planes from that vantage point. We did not visit New York again until very close to exactly one decade after the attack. Thinking back, we somehow mostly managed to avoid the WTC site until late in the visit when we finally went there. It was an overwhelming experience, though at that point it was a construction site — a place of growth rather than destruction — but the fact of what had happened there could not be ignored. I made the photograph of the new tower under construction from the Brooklyn Bridge.
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.
Since the photograph is minimalist I will make the commentary minimal as well. I made the photograph outside the San Francisco Museum of Modern Art (SFMOMA) at the end of a recent visit. This was a photograph of opportunity, made handheld as I left the museum and saw this simple conjunction of planes and varied light and textures.
Falling virga drifts below sunset clouds of an incoming late-autumn Pacific storm front
First off, the word “virga” refers to streaks or columns of precipitation that fall from clouds but do not make it to the ground. Virga can often create beautiful, delicate, and gossamer atmospheric effects, especially when the light is just right. In this case the condition was back and top-lit by low sunset light flowing upwards toward the base of high clouds from an incoming winter Pacific storm front.
This evening was (yet another) of those on which earlier unpromising conditions exploded with color right at the end of the day. We had spent the morning photographing birds (mostly geese) at a Central Valley wildlife refuge, taken a short lunch break, and then returned to the refuge for late afternoon and evening photography. The geese were wonderful and we made a lot of photographs, but it seemed like the light was going to “die” before sunset as those high clouds began to drift in from the west. That’s OK, as there are ways to photograph in that more subdue light, but I think we may have been mildly disappointed that the clouds appeared to preclude special sunset colors. So we went about our business of photographing birds, not thinking too much about the sky. Speaking for myself, though, at some point I began to notice a bit of color in the clouds behind the birds. I stopped for a moment and looked to the east (where the sunset colors first are seen before the sweep across the sky toward the setting sun) and noticed that some color was developing. In short order, the underside of the clouds began to light up, and right at sunset we were treated to an absolutely brilliant display of intense color to the west. Since I was shooting with a long telephoto I decided to try a few detail shots of small sections of the sky. If you look very carefully, you might be able to spot a jetliner heading into the sunset.
G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
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