“F-35” — An F-35 does a low pass in Death Valley Naitonal Park.
This is not exactly my typical Death Valley National Park photograph, but for better or for worse, low fly-overs (and high altitude maneuvers) by military aircraft are part of the experience there. The park is virtually surrounded by military reserves and bases, and the atomic test site is not far to the east — in other words, there’s a heavy military presence in the area. My understanding is that part of the agreement that led to the establishment of the national park was a concession to allow overflights of the park.
Falling virga drifts below sunset clouds of an incoming late-autumn Pacific storm front
First off, the word “virga” refers to streaks or columns of precipitation that fall from clouds but do not make it to the ground. Virga can often create beautiful, delicate, and gossamer atmospheric effects, especially when the light is just right. In this case the condition was back and top-lit by low sunset light flowing upwards toward the base of high clouds from an incoming winter Pacific storm front.
This evening was (yet another) of those on which earlier unpromising conditions exploded with color right at the end of the day. We had spent the morning photographing birds (mostly geese) at a Central Valley wildlife refuge, taken a short lunch break, and then returned to the refuge for late afternoon and evening photography. The geese were wonderful and we made a lot of photographs, but it seemed like the light was going to “die” before sunset as those high clouds began to drift in from the west. That’s OK, as there are ways to photograph in that more subdue light, but I think we may have been mildly disappointed that the clouds appeared to preclude special sunset colors. So we went about our business of photographing birds, not thinking too much about the sky. Speaking for myself, though, at some point I began to notice a bit of color in the clouds behind the birds. I stopped for a moment and looked to the east (where the sunset colors first are seen before the sweep across the sky toward the setting sun) and noticed that some color was developing. In short order, the underside of the clouds began to light up, and right at sunset we were treated to an absolutely brilliant display of intense color to the west. Since I was shooting with a long telephoto I decided to try a few detail shots of small sections of the sky. If you look very carefully, you might be able to spot a jetliner heading into the sunset.
G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
An airplane crosses a cloud-filled New York City sky above the Standard Hotel at the High Line Park in Chelsea.
This hotel straddling the High Line Elevated Park in New York City presents a striking appearance, especially when the right clouds are reflected in its glass-window surface. We were in the area on a summer evening when the sky was filled with interesting clouds, and by the time we finished walking to and then along the elevated path of the High Line park we had seen it from quite a few angles.
This was my first visit to New York City in a decade, and I have to say that coming to terms with it as a photographic subject is a tall task for someone trying to take in the whole thing for (not quite) the first time. I do a lot of street and urban photography, but usually in places with which I’m familiar – San Francisco is a short train ride from where I live, so I photograph there a lot. For me, it takes some time to get beyond the overwhelming first impressions and settle down and achieve a level of comfort with the place. There were days in New York when, despite being in the midst of tremendous numbers of photographic opportunities, I found it almost impossible to figure out what to shoot. And there were also certain times when “the light came on” and I made a lot of photographs, including this evening.
