“Trees and Peak” — Mount Data and High Sierra forest.
This was a slow, quiet Sierra morning. I had set up camp at Tuolumne Meadows the night before, and this was my first early outing of the trip. I headed up Tioga Road before sunrise and decided to cross the pass and visit some favorite areas on the east side of the crest. I started by going up high where I could photograph sunrise light on the highest peaks. After finishing that — and poking around a few interesting nearby spots — I decided to head back down the way I had come.
“Sierra Meadow and Peak” — Early light strikes a Sierra Nevada crest peak above a shadowed subalpine valley.
I was up and out of camp in the dark on this late-August morning. My plan was to work my way up Tioga Pass Road toward the pass, where I had a few subjects in mind along the way. After that I would head over the pass and out of the park to explore some areas just east of the Sierra crest. After going to the end of this valley to make a few photographs of alpine terrain, I headed back down this way, to pausing at a few places I had noted on the way up.
“Meadow, Storm Clouds” — Sunlight in a meadow as storm clouds build near the Sierra Nevada crest, Hoover Wilderness
After an absence from the Sierra during some 2023 international travel, I was anxious to get back up there again. Shortly after our return I headed to the mountains for a few days of high country camping and photography. By then it was late in the season and the first hints of cold-season weather fronts were arriving — there was “interesting weather” during much of my visit.
I made this photograph as I headed up a drainage in the Eastern Sierra along the western edge of Yosemite National Park. (The distant peaks mark the park’s boundary.) Clouds shrouded the peaks, and some light snow had fallen. The wind was blowing and cloud shadows moved rapidly across the landscape. I set up and waited, and made this photograph as light hit the meadows just in front of me and illuminated the distant ridge.
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.
A spring morning along the shoreline of Mono Lake.
After all these years of visiting and photographing the Sierra Nevada, I start to think I know the place. Actually, I do for the most part. However, there is so much there that it is impossible to really “know” all of it in a single lifetime. This fall’s two autumn-color visits to East Side reminded me of this. Although it happens regularly, I was surprised by the number of things I “discovered” for the first time in places that I thought I knew really well. I’ve shared a few of the resulting photographs recently, and now I add this one to the collection.
I had decided to look away from the aspens and head to Mono Lake on this autumn morning, and I had a specific place and photograph in mind elsewhere along the shoreline. I photographed that subject before dawn, and after finishing I decided to move on. But as often happens, while I watch the road enough to avoid getting into trouble, while scanning the passing landscape I caught sight of this little scene in a spot that I usually pass quickly in route to something else.
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.
Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
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