Tag Archives: high

Evening Overlook

Evening Overlook
Two people watching the early evening view of immense desert mountains from a high overlook.

Evening Overlook. © Copyright 2023 G Dan Mitchell.

Two people watching the early evening view of immense desert mountains from a high overlook.

Late in the day during my recent Death Valley visit I went to this overlook. It is more typically a place to photograph the sunrise, which comes from camera-left and illuminates the big ridges in the distance. But I had a free evening, not a morning, so I figured it was worth a shot. I arrived before sunset, and I made this photograph before the sun had dropped behind the western ridge, though the haze and high clouds softened the light a bit.

I’ve never been able to quite describe in words the experience of standing on a very high point in such a vast landscape. From here one can look 5000′ down into Death Valley or look 6000′ up toward the highest peak in the Panamint Range and simultaneously feel “on top of the world” and very, very small in the presence of such immensity.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Late-Season Aspens, Evening

Late-Season Aspens, Evening
Late-season aspen groves in the early-evening shadow of the Sierra crest.

Late-Season Aspens, Evening. © Copyright 2022 G Dan Mitchell.

Late-season aspen groves in the early-evening shadow of the Sierra crest.

The light for this photograph was special. I was east of the Sierra crest at an elevation of 8000′ or so. The sun had just dropped below the crest, and the direct sunlight was gone. However, clouds above the peaks were still directly lit by the sun and quite bright. As a result I worked in soft shadow light, but the trees were still gently backlit by those glowing clouds. This gave more directionality to the light than might have otherwise been the case, and this soft backlight enhanced the colors of the trees.

This location is one of the more fascinating and unusual in the range, though it is easy to overlook what makes it so. While the crest rises high to the west, here the terrain is on a boundary between high desert sagebrush country and the start of foliage that is more characteristic of the mountains. I think that the east side location, with its relatively less moisture, has a great effect on this. While I tend to think of aspens as mountain trees — and they often are — here there are many growing in terrain that is more desert-like.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Basin Mountain, Autumn

Basin Mountain, Autumn
Basin Mountain on an autumn morning, with a bit of fall color.

Basin Mountain, Autumn. © Copyright 2022 G Dan Mitchell.

Basin Mountain on an autumn morning, with a bit of fall color.

Unless you look closely, you might not see this as an autumn photograph, but the evidence is there. The most obvious indication is in the canyon that descends from the right of the tall peak, Basin Mountain. Just beneath the lip below the dark canyon you can spot a batch of very colorful aspen trees following the drainage into the valley below. There are some other subtle clues, too. The general golden-brown color of vegetation, including that in the high desert hills in the foreground, is typical of fall. Even more subtle is something in the quality of the light and atmosphere… which is what provoked me to detour to make this photograph.

I’ve long been intrigued by Basin Mountain, which rises to the Sierra Crest west of Bishop, California. From the east, the face of the peak is marked by a striking “basin,” and some interesting old trails switchback across its lower face. I’ve wondered what is in that basin, but I’ve never found the time to go up there. I would not typically make a photograph of such a subject at this time of day — late morning. The east side of the Sierra is often in less-than-lovely light at this time, especially if there is haze. But on this day there was merely enough haze to make things interesting, while higher clouds softened the light. So I detoured away from the start of my homeward drive to follow some backroads to this camera position where I could include the foreground hills and the peak.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Aspens, High Desert Valley

Aspens, High Desert Valley
Autumn aspen trees line a creek through a high desert canyon, Eastern Sierra Nevada.

Aspens, High Desert Valley. © Copyright 2022 G Dan Mitchell.

Autumn aspen trees line a creek through a high desert canyon, Eastern Sierra Nevada.

Heading across the Sierra early in the third week of October, I wasn’t certain what kind of aspen color I would encounter. There’s always some color at this point in the season, but in many years it has been diminished by wind and passing early weather fronts. But it seemed that these influences were muted this year, and as I approached Sonora Pass I was encouraged by seeing much more color than I expected. I turned south after crossing the pass I headed south where the forests of the Eastern Sierra begins to meet the high desert sage country. As I passed this small valley — where I had not really paid attention to the color potential in the past — I caught a flash of bright color below. I quickly turned around and backtracked to locate a better camera position.

Getting just the right conditions for these trees that grow along shallow canyons like this one is tricky, especially on the eastern slopes of the Sierra. Typical daytime light is often quite harsh, though that diminishes a bit with autumn’s lowering sun angles. But this time I got lucky, and broken clouds created patterns of light and shadow on the sage-covered hills. I set up and waited for the light to show up in the right places, and eventually it lit up the trees in the Vally and produced alternating light and dark patterns in the hills and mountains beyond.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.