“Canyon Trees, Layered Rocks, Autumn” — Layered rocks and small trees with the last leaves of autumn, Utah.
This was a magical spot at a deeply-shadowed bend in the canyon of an Utah River. A small group of us had spent the morning working our way slowly through a section of red rock canyon, alternating between sun in the straight sections and shade where the river inevitably made the next bend. At every bend we would peek around the corner, see something interesting, and say, “Just to the next bend.” Finally, we ran out of time at this point, photographed here, then turned around and started back.
“Arch and Shadows” — Utah red rock country arch in a shadowed canyon.
It might seem that improbable features like this are everywhere in Southern Utah. While some are familiar icons in national parks like Zion and Arches, similar features are found in less accessible locations. If you poke around enough you can experience them in relative quiet and solitude. I’ve wondered why it is this way in Utah, and I think there are several explanations: such features really are quite common, and some that warrant national park status are in non-park areas for reasons including uneasy compromises with extractive industries.
A group of us wandered into a lovely red rock canyon, inauspicious at the start but with sandstone walls that soon began to tower and close us off from the world beyond. These are intimate places, where your awareness is mostly confined to the space between the canyon bends in front of and behind you, and where the silence is only broken by occasional birdsong and the gentle sounds of water.
Detail of a section of a Utah sandstone rock face.
Remarkable things happen to the light deep down in the recesses of narrow sandstone canyons. The light is rarely direct, more often bouncing many times among red canyon walls. As it does, it softens, diffuses, and picks up the colors of the red rock. At the same time this landscape is open to a band of blue sky — what I think of as a giant blue light panel — and this color becomes part of the mix, though this light can follow a more direct path and fill in shadows. When you stop to consider what it really looks like, it almost seems unreal.
We were deep in such a canyon, spending a day heading deeper and deeper into it as it cut into the landscape. By the point at which I made this photograph, that band of blue sky was increasingly narrow and we encountered less and less direct sunlight.
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
I have been down this canyon a couple of times now. The walk begins in what might seem like an inauspicious place in rather plain terrain. Soon the route drops below the level of the plateau and enters the upper portion of a shallow canyon. Continuing to walk into this canyon, the walls soon rise higher and the canyon narrows and twists. Before long the expected sandstone walls appear.
As is usually the case, we followed the course of the creek along the bottom of the canyon, alternately walking in it, walking next to it, or cutting over higher ground between bends in its course. Places like this are full of distractions, and stops are frequently to photograph water seeping over rocks, trees with fall colors, arrangements of rocks and pebbles, reflections and always the sandstone canyon walls. Eventually we reached a familiar personal landmark along the route where we stopped to photograph, eat, and talk. A short distance beyond and the around another bend, and a path led up to a high point, from which there was a view through this arch back into the canyon.
Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
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