Tag Archives: wilderness

Blue Playa

Blue Playa
“Blue Playa” — Intensely blue dry mud on Death Valley’s hidden “Blue Playa.”

I have photographed in Death Valley National Park for almost three decades. I have heard whispered rumors of this remarkable “Blue Playa” for years, but no one would share anything definite about it. All I knew was that somewhere in a remote and seldom-visited area of this vast park there was purportedly a small playa featuring astonishingly colorful soil which, in the right lighting conditions, is so blue that it rivals the color of a clear sky. This has been on my mind for years.

Since those who know weren’t talking, it was clear that I’d have to do some sleuthing. All I knew was that the place is remote, surrounded by difficult mountains, and not terribly large. Out of respect for the feature — and concern about potential damage should the location become widely known — I’m going to omit specific details. But here’s as much of the story as I can share publicly.

Continue reading Blue Playa

Shoreline and Reflected Ridge

Shoreline and Reflected Ridge
“Shoreline and Reflected Ridge” — A Sierra Nevada ridge reflected in a subalpine wilderness lake.

If you are a Sierra Nevada backcountry traveler, you recognize this a a classic Range of Light scene. It was early morning, and I had been photographing since before sunrise. I walked the shoreline of this subalpine lake, following terrain like that in this photograph. The sun’s light angled across the high peaks and talus slopes as it rose above ridges to the east.

When I first backpacked many years ago, I was astonished by the mere existence of such places and the idea that I could wander through them. Eventually I slowed down and no longer thought of scenes like this as just staging for the higher peaks, but as important places on their own. These days I’m happy to linger with my camera gear, often pausing just to look.


Leave a comment or question using the form. (If you are reading this on the home page, click the article title to see the full article and the comment form.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

The First Light Group, Through My Eyes

I will have more to say about this video and its context in a later post (though see below for a bit more information), but I wanted to share this Scot Miller video about the band of photographers known informally as “The First Light Group” and my role in the group.

There’s a lot more to say about the First Light project, but for now here is a little background. In the early 2000s the group assembled, with support from the Yosemite Conservancy, and headed into the Sierra Nevada backcountry with a special mission: to place landscape photographers in the wilderness for extended periods of time to create photographs that embody the character of these remote places. Over a period of nearly two decades we photographed all over the range.

You can subscribe to Scot Miller’s YouTube channel, where you’ll find more First Light videos and plenty of other material from him.


Leave a comment or question using the form. (Click the title to see the full article and to comment if you are viewing it on the home page.)

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Slot Canyon Walls

Slot Canyon Walls
“Slot Canyon Walls” — Soft light penetrates the depths of a slot canyon.

The material making up the walls of Southwest slot canyons varies quite a bit depending on which strata the canyon traverses. Sometimes the rock can be broken and somewhat unattractive, sometimes it can hold fossils or show joints between different layers. But in some places the sandstone seems pristine — solid layers of rock broken only by small details and textures. That was the case here, at a spot where a canyon junction allowed in a bit of extra light.

I made this photograph on my first visit to this spot about a decade ago. Because I like to see with fresh eyes and because I enjoy discovery, I often intentionally forego a lot pre-visit research, preferring to show up and just look on my own. That was the case on this day when I turned, more or less on a lark, down a gravel side road, found a place to park, and just started walking, eventually coming to this spot and others that were equally beautiful.


Leave a comment or question using the form. (If you are reading this on the home page, click the article title to see the full article and the comment form.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.