Category Archives: Photographers

East of Peaks, End of Day

East of Peaks, End of Day
Alpine stream, meadows, boulder fields— and one tiny photographer — beneath high peaks in shadow as the day ends.

East of Peaks, End of Day. © Copyright 2022 G Dan Mitchell.

Alpine stream, meadows, boulder fieldsEast of Peaks, End of Day— and one tiny photographer — beneath high peaks in shadow as the day ends.

Those of you who see my photography online may have noticed the “continued:” links accompanying my short social media posts. They take you to a bit more information about each image that I post with the original at my website. The story that I’ll share with this photograph is longer than usual, so you may want to click through and take a look! It goes into the background behind this trip, a bit about who participated, and a little surprise in the image that you would probably not otherwise notice. Tempted? Click that link!

This photograph comes from a weeklong trip into the Sierra backcountry with a group of fellow photographers and friends. Almost 15 years ago I was privileged to link up with another such group (informally known as the “First Light” group, after the title of their book) that did trips like this since 2001. There is an even longer history of similar trips going all the way back to Ansel Adams and the Sierra Club. The concept of such trips was to establish a basecamp at a suitable backcountry location for a week or more of exploration and photography. Because no effort was spared to use high end equipment, pack train support was used to bring camp gear in and out as the photographers carried additional gear in backpacks.

This year’s trip included a different set of photographers,  though with links to the First Light crew. (Three of us had been on at least one of the previous trips and I’ve been on several.) In fact, we we loosely emulated the predecessor trips in many ways. (“First Light II?” “First Light, TNG?” “Second Light?”) We walked to our destination, packers brought in the bulk of our gear, we established a base camp, and we spent a week exploring and photographing all around our camp in a wide range of conditions. Perhaps best of all, we got to become a little community of backcountry photographers for the week — surviving the Great Torrential Rain of 2022 together, fixing and eating group meals, sharing stories and tips in the evenings and slow midday hours, heading out to photograph in constantly evolving sub-groups, and more.

The group included Michael Frye, Claudia Welsh, Franka Gabler, David Hoffman, Jerry Bosworth, Patricia Mitchell, and myself. Jerry was the initial inspiration for this trip when he responded to a post of mine about a particular Sierra feature and mentioning that it was perhaps a place that he might not get to again. My reply, which was basically “what about a pack train?,” and his enthusiastic response got the ball rolling… and a few months later we were in the Sierra again. It turned out to be an absolutely wonderful combination of personalities.

There’s a lot more I could (and eventually will) write about the group itself and our adventures, but I’ll use this photograph to share one little vignette. I’ve written about the horrible weather we had on the first couple of days of the trip. Finally, on this afternoon and evening, things cleared up and we all gradually headed up into the same area of the high country, following a stream swollen by the heavy rain. Eventually we emerged from forest and into the open alpine country, were we could see the peaks towering above to our west. I made this photograph just before I turned around — the light was starting to fade as the sun had long dropped below the peaks. If you look very closely, you might be able to spot a very tiny Michael Frye among the rocks and meadows.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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“Birdscapes” at Stellar Gallery

Birdscapes — David Hoffman and G Dan Mitchell
Birdscapes — David Hoffman and G Dan Mitchell

A Stellar Gallery Special Exhibit

Photographs by David Hoffman and G Dan Mitchell
February 16th to March 14th, 2019
at Stellar Gallery, Yosemite Gateway Gallery Row
40982 Hwy 41, Suite 1, Oakhurst CA 93644

Artists Reception, Saturday Feb 16th – 5 to 8 pm


BIRDSCAPES features works by two photographers best known for landscape photography. Both Dave and G Dan are not only inspired by the beauty of wild lands and natural places, they are inspired by their flora and fauna as well.  Birds are an integral part of most environments. Their nesting habits, migration patterns and survival strategies express volumes about the places they live, and ultimately our own habitat as well.


David Hoffman

Over the many years during which I have been involved in photography, I would have described my field of interest as landscape and nature with the emphasis on landscape. Wildlife of any sort was usually something that fortuitously showed up to be incidentally included in a landscape photograph.

In recent years I began photographing winter wetland landscapes in the Pacific Flyway and migratory birds naturally became a feature of many of the landscape images. As time went on, the birds went from being a mere feature of the landscape to being deliberately featured in their wetland habitat.

The photographs that I have included in the exhibit Birdscapes run the gamut from huge flocks of geese in the Pacific Flyway to a portrait of a hummingbird.


G Dan Mitchell

I have photographed the landscape for years, but more recently the photographs have included birds. I began to photograph birds in the locations I visit — geese and sandhill cranes in California’s Central Valley, brown pelicans along the Pacific coast, tundra swans and golden eagles near Oregon’s Klamath Lakes, trumpeter swans in Washington’s Skagit Valley. Migratory birds connect us to remote landscapes where they breed. Their presence brings landscapes to life. The sound of thousands of geese and cranes in the pre-dawn cold of a winter morning always makes me smile.

The photographs in “Birdscapes” come from several of these locations. They represent multiple ways of “seeing” birds. Some look closely at individuals, often focusing on the beauty of the birds in flight and the moments of take-off and landing. In others thousands of birds fill the sky. Almost all reflect the light and atmosphere of the places where birds are found —morning and evening twilight, colorful light of dawn and sunset, fog and clouds, or crystal-clear winter skies.


The galleries at Gallery Row in Oakhurst offer a wide selection of fine art and fine craft, and host exhibits and special events that support the arts in the Yosemite area. Thank you for supporting the arts!

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Macro Photographer, Death Valley

Macro Photographer, Death Valley
Photographer Patty Emerson Mitchell at work photographing the small things in Death Valley

Macro Photographer, Death Valley. Death Valley National Park, California. March 29, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Photographer Patricia Emerson Mitchell at work photographing the small things in Death Valley

This is perhaps the typical photographic pose for my wife, Patty Emerson Mitchell, when out photographing — down on the ground, intently photographing some small thing that I probably wouldn’t have even noticed. Her speciality is in “seeing” flowers, often not as literal objective depictions of these things but as vehicles for exploring color and line and texture and shape and curve. A flower is a wonderful thing, but sometimes it can be many other things, too. On this morning we had stopped near a section of the Death Valley playa where there is a bit of water, and I had wandered off to photograph mountains and sky and the playa. She walked down toward the playa, photographed that stuff a little bit and then headed back toward the car as I continued to work.

Eventually the sun was high enough and I and had photographed here long enough that it was time to head back myself, too. I figured that she might be waiting in the car, but then I remembered, “No, she will be crouched down in the gravel, lens an inch or two from something interesting that I probably stepped over, making photographs.” I had photographed in Death Valley for quite a few years, not unaware that there were flowers, but not paying them all that much attention. On the first trip there that she took with me, for the first time I saw — or, more accurately, was shown — that there are small flowers and plants almost everywhere you look, even on the apparently rocky surface of a dry playa or even under a light snowfall.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Rock, Water, Trees — A Photographic Folio

Rock, Water, Trees — A Photographic Folio
Rock, Water, Trees — A Photographic Folio

Eight of my photographs will be part of “8 by 10 —The Folio Show” at Stellar Gallery. In association with the show I will produce a limited edition of 12 folios containing the 9″ x 12″ prints from the show. The photographs from “Rock, Water, Trees” focus on these three primary elements of the Sierra Nevada landscape.

"8 by 10" — The Folio Show
“8 by 10” — The Folio Show

8 by 10 – The Folio Show, June 13th through July 12th 2015
Gala Reception on Saturday, June 20th
Eight works by ten extraordinary photographers.
Stellar Gallery, Gallery Row, Oakhurst, California

Jonathan Bock
Jerry Bosworth
Cathy McCrery-Cordle
Michael J Costa
Franka M Gabler
G Dan Mitchell
Steve Montalto
William Neill
David Hoffman
Nancy Robbins

Each artist will present a series of eight images sharing a common subject, theme, or approach.

Works will be presented in a standardized format, matted and framed at 12 x 16 inches. Whatever happens within the rectangle is anyone’s guess!

Works will be presented in boxed folios, available as complete sets with special pricing, or individually.