“Trogir Waterfront, Morning” — Morning along the waterfront as clouds build, Trogir, Croatia.
I made this photograph close to the conclusion of early morning photography in Trogir, Croatia. We arrived in the old town on the island before sunrise and photographed the nearly deserted narrow, cobblestone streets, the architecture, and a few people who were out early, getting the town ready for the coming onslaught of visitors. As we finished — and before stoping for coffee nearby — we emerged on this side of the island, facing the channel between it and the part of the town across the water.
It was a really lovely morning. The warm sunlight was muted a bit as clouds appeared and a large thunderstorm appeared to develop over the city of Split, down the coast. Here we just had the over-spill from that mighty cloud — just enough to make the sky more interesting and to soften the light a bit.
“Oban Waterfront, Dusk” — Waterfront buildings reflected in smooth water at dusk, Oban, Scotland.
Our recent visit to Scotland included jet lag adjustment time before our Great Glen Way walk. It did not seem wise to get off our 11-hour flight, eight time zones away from home and immediately start walking! We spent our first night near the airport in Glasgow, then took a train to Oban for a couple of nights before heading to our trailhead in Fort William. Oban was a wonderful surprise — a lovely, walkable town on the waterfront. And, of course, the Oban Whisky distillery is in town. And, yes, we visited!
We stayed at a B&B about ten minutes from the center of town. As we walked back from dinner we came upon this lovely dusk light over the waterfront. I had not thought much about it before the trip, but Scotland is so far north (the northern tip is about as far north as Juneau, Alaska) that the daylight lasted until nearly 10:00pm.
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.
Morning light on South Beach Harbor and buildings of downtown San Francisco
On this late-January morning I was up — you know the drill… “hours before dawn” — to catch a train up the Peninsula to San Francisco for a morning of street photographer and a visit to the San Francisco Museum of Modern Art, where an extensive show of Walker Evans photography was nearing the end of its run. (At some point I should write a bit about my response to the show. A quick summary: great show, some brilliant work, some work I identify with personally, some work that makes me wonder why it is on the wall.) For these trips I’m usually up around 4:00 AM, giving me a half hour for coffee and a quick breakfast before I walk to catch a bus to the train station, where I catch one of the “baby bullet” express trains that has me in San Francisco an hour later.
The weather was in flux, and when by the time I arrived it was clear that a dome of solid high clouds was over San Francisco. However, as I left the train just before sunrise I was able to see some light on the underside of the clouds that was apparently coming from a gap in the cloud cover across the Bay to the east. I quickly headed over to the nearest shoreline location and ended up at the South Beach Harbor. I found some unusual light here as the sun rise. The light was coming through a narrow gap between the western edge of the cloud shield and the low, East Bay hills. Meanwhile, the clouds over and to the north of San Francisco kept the sky there somewhat dark. As the light hit the shoreline area where I had gone, the foreground boats and buildings and so forth were lit by this lovely filtered light and set off against that darker sky. The conditions did not last long — soon the sun rose above that cloud gap and the light soon became gray and flat.
Earlier this month I spent an evening photographing at night in San Francisco, this time with my fellow Studio Nocturne SF photographers. That got me thinking about other night photography that I’ve done this year in The City, so I went back to the raw files from this spring visit when I joined another group of friends for dinner and then to photograph along the waterfront, in the same general area where I photographed earlier this week.
I’m often intrigued by shops and restaurants at night, partly perhaps because they often provide a source of light, some of which can spill into the surroundings, but also for the slightly voyeuristic experience if looking through the windows and observing patrons. It was a warm evening when I walked past this place and many windows were open. If you look closer you might see what I see — each window providing a separate and somewhat independent image, almost like paintings hung along the wall in a gallery.
Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
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