“Leaves Trace” — The trace of a departed autumn leaf on a concrete sidewalk.
I walk a lot, and I always carry a camera. At a minimum I have my smart phone, but most of the time I have a “real” camera in my bag. I don’t always photograph on walks, but from time to time I spot something that interests me. This was one of those times. Recent rains had leached the colors out of fallen leaves, staining the sidewalk with their autumn traces.
This photograph is a bit difficult to categorize. In a sense it is an “autumn photograph,” since the subject derives from that season’s leaves. But I made it in winter after those leaves had time to stain the concrete. In addition I’m not sure if it is an urban/street photograph or a photograph of nature. In the end, perhaps it doesn’t matter — it is just a photograph.
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.
Spring manzanita flowers, Yosemite National Park, California.
Manzanita Plants in Bloom. Yosemite National Park, California. April 15, 2012. Copyright 2012 G Dan Mitchell – all rights reserved.
Spring manzanita flowers, Yosemite National Park, California.
The manzanita plant and its pink blossoms are ubiquitous in California – and, I imagine, in other places as well. I photographed these on a bit of granite slab in Yosemite National Park in mid-April, just as the (meager, this year) spring snows were melting away and spring growth was starting, at least in this exposed spot that is open to the western sun.
This might qualify as a bit of an “accidental photograph” – a photograph that came about as the result of some combination of finding myself somewhere for some reason, getting distracted by some other thing than what I came for, and then noticing yet another subject while photographing the first distraction! This particular photography day was one of those during which things were “difficult.” I had gone up the Yosemite area for single day, with some ideas about photographing California poppies and redbud in the Merced River Canyon outside the park boundaries. I arrived in that area in the early morning and photographed some blooming redbud plants, but poppies weren’t really an option because they don’t open until they get the brighter sunlight that comes to these parts of the canyon a bit later in the day. So, mid-morning arrived and I sort of felt like I was more or less done for the morning in the canyon, so I drove up into The Valley looking for whatever. I found a bit of “whatever” in the form of some dormant trees along a stretch of the Merced, but then the light went flat, I was tired, and I wasn’t “seeing it” – so I parked the car and took a nap! (This was perhaps necessary given my 3:55 a.m. wakeup time.) A bit later the light was still not inspiring me – hey, it happens. I killed a bit of time by visiting the Yosemite Renaissance show in the Valley, and then driving off to visit another potential subject… that turned out to not work in the light of that particular late afternoon. In case you are starting to think that this sounds like a pretty sad and disappointing story… I’ve learned to be philosophical about it when I run into “blah” conditions or otherwise am just “not seeing it.” I really do understand that the counterpoint to those moments when something astonishingly beautiful happens in the landscape are those other moments when less astonishing things are all that I can find. In any case, after my drive to this other unsuccessful subject, I turned back toward the Valley and as I descended toward Wawona Tunnel I decided to stop at a turn out before the tunnel that provides an impressive view of the Valley. I stopped. The view was impressive… but still not worthy of a photograph. But I looked across the road and saw a possibly interesting little rivulet of melt water running down a crack in a granite slab, so I hoisted my gear and wandered over there to see what I could do with this subject. While photographing this feature, some clouds obscured the sun and made for temporarily poor light so I looked around a bit while waiting for the light to return, spotted thick bunches of manzanita flowers nearby that I had overlooked before, and went over and photographed them in the soft, cloud-filtered light.
G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
A row of bare trees stands next to a pond in evening light at the Merced National Wildlife Refuge, Central Valley, California.
While photographing migratory birds in early February at the Merced National Wildlife Refuge in California’s Central Valley, just before sunset there was a lull in the “bird action,” and I realized that I had neglected to photograph much of anything besides the birds. With this in mind, I left the edge of the ponds where we had been shooting, and I took a short walk along a nearby trail that went out into some brushy areas that generally seemed sort of nondescript. Except… I’m fascinated by brushy, scrubby trees and brush and I’m always challenged when it comes to thinking about how to make photographic sense of this subject. In the right light the shapes and subtle colors can be quite interesting, but it can also be tricky to find a composition in the dense growth.
As I walked I passed along a small pond, and at first I noticed the reflection of a tree whose trunk was branching out in many different directions and its mirrored image in the water. Then I saw this row of barren trees, which I assume might have been planted along the levee as some sort of wind break. Their straight forms were tall and parallel, except that here and there this orderly form was broken up by a trunk or branch pointing off in some odd direction and creating a bit of visual dissonance. Since it was the lens I already had on the camera for photographing birds, I made this landscape photo with what might seem to be the least likely of landscape lenses, a 100-400mm zoom!
G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
Autumn oak trees and meadow with background cliff face towering above – Yosemite Valley, California.
Having posted all of the better photos from last week’s shoot at Point Lobos, I’m back to the fall photographs from Yosemite Valley once again as I complete the process of going through all of the images I brought back from my October 31 and November 1 visit. This is another in the “tree with hazy cliffs in the background” series that I seem to have spent a lot of time on during this visit. These trees were photographed during the bright midday hours, at a time when I might usually knock off from photography for awhile. However, with the right backlight on the colorful black oaks and a background of hazily distance valley walls, I continued to shoot almost straight through on this day.
This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.
