Tag Archives: road

Fire Trail, Calero Hills

Fire Trail, Calero Hills
“Fire Trail, Calero Hills” — A trail through Central California oak grassland with winter morning light.

This is an unusual post — a “make up” post to restore a lost photograph to the archives. It is an old photograph from 2006 that probably once appeared on this website but seems to have disappeared. I regularly share older “From the Archive” images on social media, and as I prepared this photo for sharing I was unable to find an original post here. Consequently, I worked up this slightly revised version and am sharing it here today.

The photograph comes from a San Francisco Bay Area park where I have hiked and photographed for decades. I visit at all times of the year and in all imaginable conditions. This one comes from a morning hike in the winter, when the low angle sun cast strong shadows across the landscape beneath the skeletal forms of winter trees.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Levee Road, Tule Fog

Levee Road, Tule Fog
“Levee Road, Tule Fog” — Tule fog shrouds the winter landscape along a California Central Valley levee road.

A couple of weeks ago I made my way out to California’s Central Valley for what I hoped would be a day of bird photography augmented by landscape work. My favorite days at this time of year begin with tule fog that clears before noon. There is wonderful transitional light as the conditions change, and once the fog lifts there are usually opportunities for bird photography. Well, I got the fog I came for… and it never left! (The birds? Not so much.)

This spot along a levee road skirting wetland ponds is very familiar to me. I photograph here all the time, and I’ve photographed literally this same scene often — at dawn, in fog, late in the day, after dusk. It includes several elements I associate with this place: skeletal winter trees, new growth after winter rains, and the landscape fading into the distance under the fog.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Dunderberg Meadows

Dunderberg Meadows
“Dunderberg Meadows” — Autumn aspen stretch across the landscape beneath Eastern Sierra Nevada peaks.

Transition zones in the mountains fascinate me — places where one sort of landscape runs into another. In this photograph from the Eastern Sierra Nevada, aspens extend across high desert sagebrush terrain and right into the lowest conifer forests. The demarcation between sagebrush and forest is fairly sudden, but the aspens live in both.

Decades ago my entire notion of the Sierra Nevada revolved around the forest and alpine zones. For that reason, and because I usually approached the range via its gentle west slope, I did not know about this high desert terrain. It is possible that the first time I encountered this zone was when exiting on the east side after a long walk in the high country — and it was a shock to me.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Red Rock Sunset

Red Rock Sunset
“Red Rock Sunset” — Sunset light on red rock formations near Fruita, Capitol Reef National Park.

This spot is obviously full of spectacular scenery, though it was a bit tricky to photograph near sunset. One of the “problems” actually turned out to be a plus. There was some overcast that muted the light, but the light was still strong enough to be softly directional, especially on the more distant cliffs. A second issue is geological. The area is on an inclined formation that rises to the west, so the sun actually drops behind the uplifted western horizon a bit earlier than true sunset.

The color was astonishingly red in this sunset light, especially since the soft light reduced harsh shadows and highlights. I don’t often include roads in my landscape photographs, but in this case, a) it was unavoidable and b) it produced a useful leading line heading toward the groves of trees and the campground at Fruita.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.