almost | G Dan Mitchell Photography

Winter storm clouds, mist, and snow obscure the upper rim of Yosemite Valley

I have an idea that one kind of better photograph is a photograph that is as minimal as possible, perhaps so minimal that the viewer has to guess at and perhaps fill in details that are implied but not literally present in the image. I’m also intrigued by subjects that are on the edge of being (or not being) visible — how little can be present in the image and still have it be an image of something. And I’m also fascinated by luminous atmosphere — clouds and fog and mist made to glow softly by sunlight.

Near the end of February we were in Yosemite Valley for a few days in connection with the opening of the 30th Yosemite Renaissance exhibition. We were hoping for a real snow storm, and early encouraging predictions suggested snow all the way to the Valley floor. The way things have gone this year, it was little surprise when that did not happen — but there were beautiful clouds drifting around the upper reaches of the Valley’s cliffs and pinnacles, and snow did fall at higher elevations. Partially because we were with a person who had never been to the Valley before we stopped more than once at some of the popular and iconic spots — and this photograph, though it does not show the famous iconic view, was made at one of the best known as think clouds and light snow passed across the upper rim of the Valley, nearly rendering granite towers and solitary trees invisible.

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The sky over Northern California, stretching from coastal hills and fog across the tule-fog-filled Central Valley to the Sierra Nevada, New Years Morning.

On New Years Day 2008 I flew to Seattle for a family visit. As we flew out of San Jose and over the hills along the eastern edge of the Bay Area, the winter tule fog was filling the Central Valley and spilling up against the hills, while above and beyond it was a nearly perfectly clear sky. For those who might be unfamiliar with the landscape here, beyond the fog-filled Central Valley, and very far away, the faint dark line of the Sierra Nevada crest is visible, and if you look very closely you may be able to see that the highest peaks are snow-capped.

This photograph has sat in the archive for over three years. I liked the scene but I wasn’t quite sure of what to do with the somewhat odd colors that resulted from shooting though an airplane window and into very bright light. I had considered a straightforward black and white interpretation and, if fact, that is what I was working on when I decided to instead desaturate the image about three-quarters of the way to being monochrome – and for me this seemed like just the right thing and more in line with how I think of the scene now. Another question was whether to clone out the contrail of another plane near the upper left corner. In the end I decided to leave it, for several reasons that I’ll leave to your imagination for now.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.

G Dan Mitchell Photography

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Almost Without Form

California Sky, New Years Morning

Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.