I took me a while to figure out this location in Utah, along the edge of Boulder Mountain. Years ago we drove through here in the spring, and I was astonished by the huge aspen groves. I resolved to return in the autumn, and a few years later we did —timing our visit to synchronize with peak of California’s Eastern Sierra aspen color. It turns out that the color change earlier in Utah, and by the time we arrived the groves were past their peak.
Continue reading Boulder Mountain Aspens, Evening
This is not the first time that I have photographed this same subject, more or less, in evening light. Corkscrew Peak stands out in this scene of rugged, furrowed desert mountains. Because the location is on the eastern side of Death Valley, late light angles across the landscape just before the sun drops behinds mountains far to the west, and this light emphasizes the textures of the eroded landscape.
Continue reading Corkscrew Peak and Desert Hills
Forgive me for sharing yet another photograph featuring fields of desert gold flowers, but they appeared in impressive numbers in Death Valley in late February. This is usually a dry and generally beige landscape (with some exceptions) but these flowers turned gravel fans and some hills yellow all over the valley.
The foreground flowers are obvious, but if you look carefully you’ll see more fields of the flowers further up the gentle slope leading to the base of the Black Mountains. The more distant color — yellow mixed with green — may seem subtle, but to those of us used to more typical Death Valley conditions it is striking.
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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email
All media © Copyright G Dan Mitchell and others.
Our late-February visit to Death Valley mostly focused on two subjects — Lake Manly and the wildflower bloom. At first I thought we might forego visiting the dunes at all on this trip, but on our last morning we decided to make an early-morning stop before we headed out of the park.
We arrived quite early — too early, actually. It was still dark when we got there, so we took our time getting our gear together before walking out into a quiet section of the dunes. The ight conditions were not promising, as the sky was rather overcast. While that wasn’t great for photographing the dunes themselves, the soft light was good for photographing small plants and other intimate subjects, like this brown-eyed evening primrose plant.
Leave a comment or question using the form. (Click the title to see the full article and to comment if you are viewing it on the home page.)
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email
All media © Copyright G Dan Mitchell and others.