Tag Archives: buttes

Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Evening Sky and Haze, Death Valley

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Evening Sky and Haze, Death Valley
“Evening Sky and Haze, Death Valley” — Sunset sky, distant mountains, clouds and haze — Death Valley.

Death Valley National Park is a huge place — not just as measured by its total area but also by the immense spaces we view there. In many places we look across dozens of miles toward objects so far away that they are obscured by the atmosphere even on clear days. We might look at a “nearby” destination and think, “I’ll walk there.” If we try, hours later our intended destination will still be in the distance.

This photograph, made at sunset in the central part of the great valley, is an example. If I had gotten in my car and started driving, it would have taken me an hour and a half or longer to reach the base of those mountains in the distance. In this scene the valley has already fallen into the shadows of the Panamint range and a final bit of soft side-light glances across the large wash in the foreground.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Death Valley, Panamint Foothills, Morning

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Death Valley, Panamint Foothills, Morning
Morning sunlight on Death Valley hills and the foothills of the Panamint Mountains

Death Valley, Panamint Foothills, Morning. © Copyright 2019 G Dan Mitchell – all rights reserved.

Morning sunlight on Death Valley hills and the foothills of the Panamint Mountains.

One’s orientation to “landscape” may manifest in many ways — a focus on the large or the small, an approach that implies objective realism or one that embraces subjectivity, the discovery of new landscapes or the deeper exploration of those already known, an interest in ostensibly “untouched” subjects or attention to those affected by the human presence, and more. Death Valley is diverse enough for any of these, but I often find myself focusing on the largest scale subjects. The place is huge, and at the right hours, in the right seasons, and in the right places the park is a place of deep silence and immense stillness.

This was the last morning of my most recent visit, and I went out alone very early, heading to a place that afforded a somewhat elevated perspective. As I traveled there I was not optimistic about the prospects for the morning — the sky was mostly overcast, there was a bluish haze in the air, and even the earliest light was blocked by clouds to the east. But one thing I relearn nearly every time I go out is that if you go out enough and are persistent enough, things happen, and sometimes they happen at the least likely times. As this morning wore on, some time after the first light that could have been colorful, the sun began to break through the clouds, and areas of light and shadow moved across this immense landscape. As I made this photograph the light was shining on the foothills of the Panamint Range, many miles away and on the far side of Death Valley.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Death Valley, Photographs: Desert, Photographs: Nature

Buttes, Evening Light

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Buttes, Evening Light
Evening light into Blackwater Wash illuminates buttes above Death Valley

Buttes, Evening Light. Death Valley National Park, California. April 3, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Evening light into Blackwater Wash illuminates buttes above Death Valley

These buttes or hills have fascinated me for a long time. They project out of the gigantic gravel fields of the alluvial fan at the base of the Panamint Mountains known as Blackwater Wash. They are visible from the floor of Death Valley, across its wide expanse to the west, often partially obscured by haze late in the day. From a few high points in the Panamint range they are also visible from above, often poking up above ridges or framed by v-shaped canyons.

I made this photograph from one of those higher positions, a location along the summit ridge of the Panamint Mountains that provides views in all directions, including down into Death Valley itself. This time I was there near the end of the day, as haze filled the valley and the last sunlight of the day came over the summit of the mountain range, casting beams of light down into the canyon and lighting these hills.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Death Valley Buttes, Morning

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Death Valley Buttes, Morning - Early morning light on the summit of the Death Valley Buttes, with the Panamint Range in the distance, Death Valley National Park, California.
Early morning light on the summit of the Death Valley Buttes, with the Panamint Range in the distance, Death Valley National Park, California.

Death Valley Buttes, Morning. Death Valley National Park, California. January 3, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Early morning light on the summit of the Death Valley Buttes, with the Panamint Range in the distance, Death Valley National Park, California.

I found several things in this scene that I often look for in Death Valley, or in other similar places for that matter. I’m always intrigued by the small plants that grow along these very barren and rocky areas, sometimes – as here – along with a few cacti. And of course it is hard to resist the golden early morning light, especially when it is juxtaposed with one of my favorite subjects, more distant mountains somewhat obscured by haze. On top of that, I liked the almost abstract shapes of these forms and combination of the warm sunlight on the foreground hills and the cooler, blue-tone light beyond.

I made this photograph on a morning when I really did not have a specific shooting plan, or perhaps I might say that I had a “negative plan” defining what I was not going to photograph – I set out to not go to some of the familiar and more iconic locations in Death Valley, on this morning and to some extent on this trip. So I ended up on a road that eventually crosses the Amargosa Range and heads off toward Beatty Nevada. I knew I was looking for some sort of juxtaposition of the forms on the outcroppings and buttes up higher on the large gravel fan in this part of the Valley and I knew that I wanted to photograph the early light – but exactly where to do this was not clear. As I drove I passed some promising locations and finally stopped at a pull-out near this site, put on a long lens, and made this and several other photographs from this spot.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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