Yellow Buildings, Shadows, Moving Clouds – Night photograph of two large yellow buildings, shadows, and streaks for clouds moving across the sky above the Mare Island Naval Ship Yard, California.*
Recently I was part of a conversation about photography, focused on some technical questions about equipment, in which one participant sought to define the issue by writing that you are only has good as your poorest picture.
Simple and direct sayings like this one may have the virtue of quickly clarifying an important concept or truth and (something I could learn more about!) doing so in few words. Unfortunately, there are often downsides, too. Because they are so declamatory, it is easy for some people to simply accept them without thinking. Being simple, they often don’t fit all cases. And sometimes they are just plain wrong.
Proof that I have to be able to laugh at myself sometimes… I spent 10 days photographing in the Yosemite backcountry at the beginning of this month. At one of the locations we visited there is a large and beautiful granite bowl with tons of potential photographic subjects. At one point I was high on a ridge above the bowl, photographing small features in late-day light, including exfoliated granite slabs, tiny trees growing from narrow cracks, colorfully stained rock, and more.
Partway through the evening’s work I found a little divot in the granite, in which a small clump of grass grew. It was surrounded by colorfully stained and glacially polished granite, with interesting cracks and texture cutting through it at various angles. The low angle sun raked across the short clump of grass and created a shadow that stretched across the granite surface. It seemed like an obvious photograph of the “intimate landscape” type, and I spent some minutes working it and making a series of photographs in both portrait and landscape orientation, and trying various crops of this little scene.
Although I had admired the file earlier while scanning through the hundreds of images I brought back from this trip, it wasn’t until today that I finally got to it for serious post-processing work. I opened it up, converted the raw file, brought it into Photoshop and began to work on it. I liked those angles angled cracks and the intense color of the stained rock, and the short blades of grass cast shadows across the polished granite in just the way I remembered.
But wait, what is that lumpy shadow below and to the left of the grass? NOOOOO! There is a marmot turd in the little cleft in the rock! You’d think that Your Intrepid Photographer might have seen that while composing the shot, but no…
Morning Musings are somewhat irregular posts in which I write about whatever is on my mind at the moment.
G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
The subject of selecting (and carrying!) photographic equipment for backpacking trips came up in a recent conversation. There’s a lot I could say about this, since I’ve backpacked for decades and often prefer to do certain kinds of landscape photography while traveling on foot, mostly in the Sierra. Actually, I not only could say a lot about this — I have! An extensive article at this website goes over a lot of important things related to combining backpacking and serious landscape photography: My Backpacking Photography Kit. Take a look at the article if you want a lot of details.
The main issues involve how to incorporate the weight/bulk of serious camera equipment into a load that also includes your food and shelter and much more, how to best make use of the photography equipment in the backcountry, how to approach the process of photographing “out there,” which equipment to use, and a few other things. Basically, unless you are young and very fit and willing to accept a great deal of pain from a huge load… you are likely to have to make some compromises and adjustments in both the backpacking equipment and the photographic equipment you carry. The good news is that the compromises are quite doable, and that you can still make fine photographs in areas that you probably can’t get to in any other way.
A related question had to do with a different way to get into the back county that I’ve used during the past two seasons, namely support by pack animals. Left to my own devices, I probably would not have tried this — at least not for a few more years! However, I’ve recently had the wonderful opportunity to join some other photographers who have been traveling into (mostly) the Yosemite backcountry for nearly 15 years every summer to make beautiful photographs. (See a video about them here and take a look at their beautiful book: “First Light: Five Photographers Explore Yosemite’s Wilderness.”) When they started, large format and medium format film cameras were the norm for this sort of serious work, more or less necessitating pack train support if they were to stay out for any length of time — and they often went out for a week or two at a time.
Just a quick note today to celebrate the autumn equinox and the start of my favorite season of the year. Summer is the time of easy travel and access to the backcountry, winter brings appealing extremes of weather, and spring the greenery of a new season. But autumn seems to have a bit of all of these things, at least here in California, and in some ways the best of each of them.
Today the calendar says “fall,” but the weather is still more summer on this part of the west coast. The edge is off the heat for the most part, but it is still pleasantly comfortable. Yet, after the relative stasis of the summer season, things are beginning to change once again. Back in early September I saw the hints in the Yosemite backcountry, but they are even more unmistakable by now. Up there the aspens are starting to turn colors and will soon drop their leaves. (See “Sierra Nevada Fall Color Season – Coming Sooner Than You Think!“) Even here in the San Francisco Bay Area, the air feels different — and we are watching the weather forecasts, hoping for the first real rain (which may come later this week) and for snow in the mountains. Soon that snow will fall up there, and we’ll be fully into the interesting weather season. And it won’t be long at all until migratory birds return to my favorite locations in the Great Central Valley.
Morning Musings are somewhat irregular posts in which I write about whatever is on my mind at the moment.
G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
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