Category Archives: Commentary

An Update on My Induro C313 Tripod – and Kudos to MAS

I have written a few times about my purchase of the Induro C313 carbon fiber tripod, and I have reported that I’m very pleased with its performance now that I’ve used it for the better part of the past year.

I did have one small problem. The center column hook assembly apparently was not firmly attached and it fell out at some point. I didn’t notice it when it happened – only later when the part was long gone. I contact MAS, the American distributor and parts source for Induro. My initial email contact was positive, and I got a reply providing a toll free number to call to order a replacement. Unfortunately I had a less than positive experience with the MAS phone system, getting unceremoniously booted from the system after waiting and being transfered more than once.

So I decided that it might be better to contact them again via email and ask if I could simply order the part online. Expecting no more than an answer telling me how to place an order I was very pleasantly surprised when I received two quick replies promising to send me the replacement part right away free of charge. I received the new center column hook this week. Count me as pleased and impressed.

Questions about the Canon EF-S 10-22mm f/3.5-4.5 USM

Alex writes to ask about the Canon EF-S 10-22mm f/3.5-4.5 USM:

I’ve been reading your blog for a while now and have noticed that you haven’t commented on the Canon 10-22mm lens on a crop camera. I have a 350D with the 10-22mm lens. I’m curious as to your opinion on using this lens on a crop body compared to the 17-40mm. I’m considering upgrading to the 5D at some point and would obvioulsy need to purchase a WA lens as well. You seem to be satisfied with your result of using the 17-40 on a crop body in the past or did it make a noticeable difference to you when you moved from the crop body to the full frame on the 5D with your 17-40mm?

Thanks for writing, Alex. You are right that I haven’t written about this lens, but only because I don’t have any direct experience with it. Being an EF-S lens, it is designed for use only on crop sensor Canon bodies (like the 350D/400D series and the 20D/30D/40D series), and I’m using full frame these days.

You are also correct that I’m a big fan of the Canon EF 17-40mm f/4 L lens. I used this lens on the crop sensor camera that I had until about a year ago, and I continue to make a lot of use of this lens on my 5D. On my crop sensor body, the 17-40 always produced excellent center sharpness, though it could be a bit soft in the corners, especially when shot wide open. I find it to be even better on full frame where I frequently shoot it at f/11 or even f/16, thus controlling the corner softness/fall-off issues more effectively.

On a crop sensor body, the 10-22mm focal length range is essentially equivalent to the 16-35mm range on a full frame body – in other words just a tiny bit wider than my 17-40mm lens on full frame. Although I had thought that 17-40mm was “wide enough” on my crop sensor body, once I started shooting full frame with this lens I really came to appreciate the much wider coverage provided by this combination. I think that the combination of the 350D and the 10-22mm lens could very useful – for example, it could be a wonderful small and lightweight setup for doing landscape photography while hiking or backpacking.

With that in mind, I guess you could say that I was satisfied with the 17-40 on the crop sensor camera at that time, but that I know realize that if I were going to again use a crop sensor body I would almost certainly want to get a lens providing the coverage of the 10-22. Although I haven’t used the EFS 10-22mm lens myself, almost everything I’ve read about it has been positive.

When you do move to that full frame body you might find that the 17-40 really comes into its own, especially if you shoot landscapes and similar subjects. As to whether you would want to get this lens now or wait, I think that depends upon what kind of coverage your other lenses currently provide in that range.

Asking the Wrong Question – Part 2

I often see a question more or less like this one posted in photography discussion forums:

I want to get a new lens. Which is better, the 16-35mm f/2.8 or the 24-70mm f/2.8?

Sigh.

This is kind of like the following: “I want to eat. Which is better, breakfast or dinner?”

Regardless of one person’s personal preference for one lens (or meal) over another, there is no rational way to say which is best – and in fact, these lenses are so different that they almost defy comparison in this way, and either could serve admirably in the appropriate situations.

Fundamentally, this question really isn’t about which lens is intrinsically better. In fact, neither is objectively better or worse than the other in a general sense. I’d be tempted to answer the lens question as follows: “If you need a 16-35mm f/2.8 lens, the 16-35mm f/2.8 lens is better. If you need a 24-70mm f/2.8 lens, the 24-70mm f/2.8 lens is better.”

The real question is which lens is better suited to a particular sort of usage, but the poster didn’t give us enough hints to speculate about this. Frequently the question simply illustrates that the poster doesn’t understand his/her own photographic needs well enough to understand what gear is most appropriate – and lacking that understanding wants someone else to decide.

The best advice to the person is to suggest that they need to figure this out before investing any money in more equipment.

Photographing Yosemite in Winter Podcast

As if on cue (given my recent and upcoming Yosemite photographic expeditions) Jim Goldstein has released a new installment of the EXIF and Beyond Podcasts, this one devoted to Yosemite Winter Photos. (My copy is downloading as I write this, and I plan to listen to it on the bus to work tomorrow.)

One of the great things about Yosemite Valley is that the best times of year there are not, for the most part, the most crowded. (One exception can be early June in a great waterfall year.) I just returned from a fall foliage shoot there and I can’t imagine the Valley being any more beautiful… unless it is right after a winter snowfall.

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Morning and New Snow, Yosemite Valley. Yosemite National Park, California. April 4, 2007. © Copyright G Dan Mitchell.