Category Archives: Commentary

Ansel Adams Special Edition Prints – Yes, You Could Own One

From the West Coast Imaging blog:

Price Increase Coming for Ansel Adams Yosemite Special Edition Prints Did you know you can buy a real silver-gelatin print made from an original Ansel Adams Negative for just $175? For decades, it has been possible to buy a print just like Ansel would have made it, thanks to his Yosemite Special Edition Print collection. But if you want one at this price, you should hurry–on November 15, 2007, the prints will increase to $225 each.

From the Ansel Adams Gallery – Rich Seiling [West Coast Imaging blog]

There are some links to the individual photographs in the original story, and they include some very interesting background information about how, when, and where the photographs were made.

Another Cool Flak Photo Image

How often do we see a photograph that we wish we had imagined ourselves? A recent Flak Photo image seems like one of those to me.

An Update on My Induro C313 Tripod – and Kudos to MAS

I have written a few times about my purchase of the Induro C313 carbon fiber tripod, and I have reported that I’m very pleased with its performance now that I’ve used it for the better part of the past year.

I did have one small problem. The center column hook assembly apparently was not firmly attached and it fell out at some point. I didn’t notice it when it happened – only later when the part was long gone. I contact MAS, the American distributor and parts source for Induro. My initial email contact was positive, and I got a reply providing a toll free number to call to order a replacement. Unfortunately I had a less than positive experience with the MAS phone system, getting unceremoniously booted from the system after waiting and being transfered more than once.

So I decided that it might be better to contact them again via email and ask if I could simply order the part online. Expecting no more than an answer telling me how to place an order I was very pleasantly surprised when I received two quick replies promising to send me the replacement part right away free of charge. I received the new center column hook this week. Count me as pleased and impressed.

Questions about the Canon EF-S 10-22mm f/3.5-4.5 USM

Alex writes to ask about the Canon EF-S 10-22mm f/3.5-4.5 USM:

I’ve been reading your blog for a while now and have noticed that you haven’t commented on the Canon 10-22mm lens on a crop camera. I have a 350D with the 10-22mm lens. I’m curious as to your opinion on using this lens on a crop body compared to the 17-40mm. I’m considering upgrading to the 5D at some point and would obvioulsy need to purchase a WA lens as well. You seem to be satisfied with your result of using the 17-40 on a crop body in the past or did it make a noticeable difference to you when you moved from the crop body to the full frame on the 5D with your 17-40mm?

Thanks for writing, Alex. You are right that I haven’t written about this lens, but only because I don’t have any direct experience with it. Being an EF-S lens, it is designed for use only on crop sensor Canon bodies (like the 350D/400D series and the 20D/30D/40D series), and I’m using full frame these days.

You are also correct that I’m a big fan of the Canon EF 17-40mm f/4 L lens. I used this lens on the crop sensor camera that I had until about a year ago, and I continue to make a lot of use of this lens on my 5D. On my crop sensor body, the 17-40 always produced excellent center sharpness, though it could be a bit soft in the corners, especially when shot wide open. I find it to be even better on full frame where I frequently shoot it at f/11 or even f/16, thus controlling the corner softness/fall-off issues more effectively.

On a crop sensor body, the 10-22mm focal length range is essentially equivalent to the 16-35mm range on a full frame body – in other words just a tiny bit wider than my 17-40mm lens on full frame. Although I had thought that 17-40mm was “wide enough” on my crop sensor body, once I started shooting full frame with this lens I really came to appreciate the much wider coverage provided by this combination. I think that the combination of the 350D and the 10-22mm lens could very useful – for example, it could be a wonderful small and lightweight setup for doing landscape photography while hiking or backpacking.

With that in mind, I guess you could say that I was satisfied with the 17-40 on the crop sensor camera at that time, but that I know realize that if I were going to again use a crop sensor body I would almost certainly want to get a lens providing the coverage of the 10-22. Although I haven’t used the EFS 10-22mm lens myself, almost everything I’ve read about it has been positive.

When you do move to that full frame body you might find that the 17-40 really comes into its own, especially if you shoot landscapes and similar subjects. As to whether you would want to get this lens now or wait, I think that depends upon what kind of coverage your other lenses currently provide in that range.