Category Archives: Ideas

DSLR & Mirrorless: Flexibility and Adaptability

(Note: This is one of those occasional posts adapted from something I originally wrote elsewhere. This one came from an online discussion of the relative merits of DSLRs and mirrorless cameras and their abilities to work with various lenses and photographic subjects. I have edited the original slightly for its re-use here.)

With all of the recent (justifiable!) interest in new mirrorless camera developments from Sony, there are factors that may persuade some photographers to go slow on giving up DSLRs for mirrorless. (It may also convince them to do what I did — I augmented my DSLR system with a second mirrorless system.) As good as mirrorless cameras are becoming, in particular the full frame Sony A7r and newer A7rII, they have their pluses and minuses when it comes to real-world photography. They can do some things quite well – there are advantages in some cases to the electronic viewfinders, Sony sensors provide state-of-the-art dynamic range, the bodies are compact, and more. They do some things less well — native lenses are few, other lenses require adapters, the autofocus systems are slower than DSLRs, there are still latency issues with the viewfinders, and so on.)

In this context, I recently realized that one of the nice things about the new Canon EF 100-400mm f/4.5-5.6L IS II Lens and the newer Canon bodies (like my 5Ds R, which is very similar to the 5Ds)  is that they now autofocus (AF) quite well at f/8. The 100-400 len’s maximum f/5.6 aperture at the long end is no longer a barrier to getting 560mm out of the lens by adding the TC.

I’ve only tried the combination on one occasion so far, when the opportunity to photograph wildlife came up on a recent photography venture along the California coast. I put the 100-400 version II and the Canon 1.4x TC on my 5DsR and photographed two wildlife subjects, elephant seals lounging on a beach and pelicans doing everything from flying past to landing to sitting still. (For those who want more information than I can provide here, I wrote about the initial results in a another article.)

While I do not recommend that people whose primary photographic focus is birds in flight rush out and get a 5Ds or 5Ds R, a 100-400 v2, and a 1.4x TC as their primary setup, it does work decently and in some cases extremely well.  Most importantly, it means that my primary landscape photography setup and can also work very effectively with non-landscape subjects, including wildlife — a task that will severely challenge the best current mirrorless options.

The Landing
“The Landing” — A brown pelican joins the flock on a rock along the Pacific coast of California

The combination focuses well and provides good resolution, even with moving subjects — though, obviously, not as well as using something like a 1Dx with a 300mm f/2.8 prime. It is good enough that I can track birds in flight and catch sharp photographs of them in motion.

Continue reading DSLR & Mirrorless: Flexibility and Adaptability

A Photo A Day: How Long Has This Gone On?

Recently someone who was giving a talk on photography noted that I have been posting a photograph every day for a long time. His guess was that I had been doing so for about four of five years. I told him that I thought that it has been longer than this, but I wasn’t sure how long.

Morning Light, Zabriskie Point
Morning light on the badlands near Zabriskie Point, Death Valley National Park

Morning Light, Zabriskie Point. Death Valley National Park. April 4, 2004. © Copyright 2004 G Dan Mitchell – all rights reserved. (Originally posted April 5, 2006.)

Judging from some records I just looked up, I think I may have been doing this since early April 2006! Some of those earliest posts are still there, but the photographs have gone missing — in the course of moving the website between different hosts and transferring the content from one content management system to another some of the early content was lost.

(This was not the first photograph shared  I posted online — I was blogging in the mid-1990s, and posting photographs not long afterward. It is a bit scary to think of how many thousands of photographs I must have posted by now!)

My friend (the “someone” mentioned above) was pointing to this history in the context of practice, something that I think is tremendously important in photography. He and I share extensive background and training in music, where the importance of practice is obvious, and where practicing is assumed. Continue reading A Photo A Day: How Long Has This Gone On?

Landscape Not-Photography

It is no secret that I’m pretty serious about my landscape photography. I spend a lot of time going to interesting places, searching out subjects, and making photographs. In fact, this activity is undoubtedly the single biggest influence on the nature of my outdoor experiences.

Subalpine Meadow, Summer
Midday summer sky reflected in a subalpine tarn, Yosemite National Park

I embrace this effect and regard it as highly positive. I’m convinced that photography deepens my appreciation and understanding of these places and subjects. Like every photographer I know who shares my passion for these subjects, entering the natural world to make photographs focuses my perceptions in powerful ways. I slow down. I stop. I look. I ponder. I wonder. I indulge my curiosity and I see things that I would otherwise miss. I’m intensely aware of light, color, atmosphere, form, and subject.

But sometimes the photography gets in the way… Continue reading Landscape Not-Photography

“Photography and Luck” in Extraordinary Vision Magazine

Extraordinary Vision Magazine — Issue 24
Extraordinary Vision Magazine — Issue 24

My article, “Photography and Luck” appears in this month’s edition of Extraordinary Vision Magazine, available for iOS and Android platforms for free. This is a great photography publication that features images and writing by a wide range of photographers.

Download links (see note below):

(Post originally shared on December 25, 2014.)

NOTE: June 4, 2020. I have been informed that the app mentioned above may no longer be available. You can still find the article here on my website:


G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.