To take his own measure of the war for The New York Times, Adam Nadel broke from the compulsions that dictate the days of many photographers in Baghdad, the suicide bombings and roadside explosions and assassinations that fill the morgues and the hospitals. Over weeks, he went in search of those who had survived attacks, and others whose lives had been upended by the violence. He visited them in their hospital wards, in their neighborhoods, and in their homes, and captured, in images and in words, what the war has meant for them.
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