I used to present a list of the gear that I use on this page, but a few years ago I decided that maintaining it may be less helpful to others than I originally imagined. There is a risk of reinforcing the notion that photography is about gear. It isn’t. Gear is not unimportant, but gear collecting for its own sake or a belief that the most important photography question are about gear can be unfortunate diversions from making photographs, which is the real point.
If you have gear questions or are interested in more information about my choices you can message me via the contact page, send email, contact me on various social media platforms (where I’m gdanmitchell), or leave a comment. If you are looking for more information here about gear, there are a few useful resources:
- The ARTICLES page links to many of my posts that discuss gear.
- The DEALS page lists specials on various sorts of photography equipment, along with links to site affiliates such as B&H.
I do use more than one type and brand of equipment. These days I use a full frame DSLR system with high quality zoom lenses for my landscape, nature, and wildlife photography. I use a smaller cropped-sensor mirrorless system, mostly with prime lenses, for the majority of my street and travel photography.
When I do write about my gear, please do not misinterpret my recommendations as being The Very Best Photography Equipment That You Must Own. This is equipment that has served me well for the types of photography that I do, but different gear could be as good or better for your particular types of photography. For example:
- If you are just getting started with DSLR photography, I generally recommend that you not go out and buy this stuff just because it is on my list. ;-)
- If your mix of photographic subjects is different than mine (which tends to be heavy on landscape and nature and night photography and street/travel photography, and light on portrait photography or event photography, etc.) then you might well want to look at other alternatives.
- If you tend toward somewhat more “casual” photography – e.g. not using a tripod, etc. – then other gear might make more sense, especially for landscape photography.
- If you don’t print much or at all, some of what I have listed here could well be inappropriate for your needs, as it you quite likely will see much less difference from full frame or the most expensive lenses even on the largest computer or television screens
- If you have a predilection different brands than I use, that is fine with me – I’m not a brand bigot! In fact, some of my favorite photographers, many of whom are personal friends, use quite different equipment than I use.
Perhaps because shopping for and buying gear is so much fun them — though not especially for me — or because they want to own the things that signify “photographer,”some people seem to fetishize photographic equipment and focus on it more than on photography itself. Equipment is not unimportant, but it is certainly far from the most important thing when it comes to creating valuable, compelling, and beautiful photography. Avoid the Gear Lust malady, for which the primarily symptoms include being more enthusiastic about your photographic equipment than about your photographs, always finding flaws in gear, searching after perfect equipment, replacing or upgrading on a very short cycle, and overestimating the potential difference from each new development in photographic technology.
G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Thank you Dan.
I’ve been looking around your site and gaining fresh inspiration to get myself out into the Peak District of northern England.
Thank you for the tip about a calibration tool. I’m one of the few I know who still use a CRT, in my case an AOC which has served well and is surprisingly consistent.
Also I’ve added a 5D1 to my 40D and feel like I’m relearning photography. It’s the best purchase I’ve made to date and my 17-40 has come to life.
Jim
Hi G Dan
I’m used to your great advice on PhotoNet and am delighted to find your site; it’s excellent.
You mention the possibility of a hard/software page and that would be interesting. My personal bogey is colour calibration and I still haven’t bought a tool yet.
Thank you again for sharing your knowledge.
Best wishes
Jim
Hi, Jim: Glad you found the blog, and thanks for visiting and posting.
There are some “hardware” reviews and reports at the blog. You can find a link to them at the very top of the page. (Actually, it goes to a page that includes many links but perhaps not all. The search function may turn up a few more.)
I haven’t really reviewed software. That is an interesting idea, though so for when I have written about software I have focused more on how to use it than on comparisons. Regarding color calibrations… do get a calibration system. Even one of the inexpensive ones will do a pretty good job and without it you are pretty much reduced to making test prints, making “blind” adjustments, making more test prints, and repeating until it looks about right. Calibration isn’t a panacea – an image displayed via backlight on a screen is never really going to look exactly the same as an image printed on paper and illuminated from above. However, calibration can both get you a lot closer and make the monitors behavior much more consistent.
Dan
Actually, I like the iMac display a great deal – though I understand that not everyone feels the same way. The dynamic range is greater on the reflective display and the blacks are deeper, which gives me a better sense of how things will look on the lustre paper I generally print on. I will say that one reason that this works well for me is that there is nothing to create reflections behind me in my work space.
My feeling is that both types of displays have their issues, and in the end no display can really look like a paper print. The matte displays are also subject to reflections, though they occur as a general lessening of contrast across the display. The “glossy” displays are more subject to mirror-like reflections. It is probably best to use either in locations where ambient light and reflections can be controlled.
The Dell is just about the cheapest flat panel I could find. It holds only menus and palettes, so that I can use the main screen for display of the photograph I am editing.
I haven’t gotten on the SSD bandwagon yet, but I think your analysis is correct as to advantages and the price trends.
Take care,
Dan
I recently bought a 27″ NEC display (this one – http://diglloyd.com/articles/Recommended/displayNEC27.html) to pair it with my souped-up MacBook Pro (souped up with RAM, a 100GB SSD drive for boot & applications, and a 1TB hard drive for data). The iMac is terrific, but the displays are unfortunately reflective (Mr Jobs is a stubborn man) but I suspect your main processing/softproofing etc is done on the Dell.
The SSD make a big difference. I can’t wait for prices to come down and for capacities to go up. I think that as photogtaphers, we are in for interesting times in the next 3-5 years. I am expecting the next upgrade to 5DII to include a better AF system.
Interesting point. I may either add that here eventually, or perhaps do a separate page with computer hardware/software. Here is a quick rundown for now:
24″ iMac with plenty of RAM and several hard drives
External 19″ Dell monitor to extend my work space
Backup system that includes attached hard drives, additional drives elsewhere on the network, and off-site storage. (I keep three separate backups in addition to the original files.
I’m a bit Photoshop user, so my workflow goes through Adobe Camera RAW to Photoshop. I’ve used Lightroom and eventually I’ll get it for certain specialized purposes.
Dan
No listing of computer equipment & the display(s) used for processing?
About the backpacking lens question, there is a whole page on just that topic here: https://gdanmitchell.com/2007/08/26/thoughts-on-my-summer-2007-backpacking-photography-kit
I often do take two lenses on pack trips. In fact, I rarely take more than two for this, especially on the longer trips. My core lens is the EF 24-105mm f/4 L IS. 24mm is wide enough for almost everything and 105mm is OK. A little secret: on my recent week-long southern Sierra pack trip, every photo was made with that lens.
In general, the second lens is the EF 17-40mm f/4. I first took this because I used to be more fond of super wide angle shots than I am these days, though I still find that perspective to be quite useful at times. In addition, it fits into the bottom of the chest-strap-carried Lowerpo Topload bag that carries my camera with the 24-105 attached, making for a relatively efficient carry.
As things have evolved, I have become more interested in shooting with the 70-200, and I have taken that on a few pack trips (along with the other two lenses) when the distance wasn’t far, the terrain wasn’t too difficult, and when the main goal was photography. It is a great lens for the “intimate landscape” stuff and does provide a bit more reach. The downside is the size and somewhat the weight. I have to carry it in the main compartment of my pack, enclosed in a padded case, so it is less convenient and it takes up extra space.
So, simple answer:
1 lens – 24-105
2 lenses – most likely the 24-105 plus the 17-40, though in the right situation the 70-200 might be preferable.
3 lenses – all three of these.
I can imagine certain special circumstances in which a different set might work.
The color peaks about that same time here along the Wasatch Range, too. After that, it’s fun to follow the colors down into the valleys, then further south into southern UT. Zion NP in the autumn is one of the best places to shoot…after all the tourists have left.
If you only had room in your backpack to take two lenses on your next Sierra adventure, which two would you bring?
Thanks,
Julie
Generally the eastern Sierra aspen color peaks in about the first two weeks of October – and it is generally better to shoot for earlier in this window rather than later.
So true! Once a teacher, always a teacher. I’ll strive to become an honor student ;-)
Another trip to the Sierra’s is time well spent. Do you know if the autumn colors have hit the higher elevations, yet? My first 2-wk pack trip into the Sierra’s was sponsored by a De Anza College geology professor way back in 1968. I was the youngest one in the group. The impact of that trip influenced my love of the outdoors and geology for the rest of my life.
Enjoy your break from post-processing! I look forward to seeing the images you choose to put online.
Julie
Hah! No… It will be a week or so before I’m back in the Sierra. I want to squeeze in at least one more pack trip this season, with this one focused entirely on photography. I may get one more after that if a group of my friends observe a tradition of trying to do a mid-October late-season trip. This week I’ve been working by way through a backlog of photographs from the past month of travel and making a number of prints. So I’m close to the computer and often looking for an excuse to do something other than post-processing for a few minutes.
I’m actually a college faculty member, which probably does make me a salesman… in an academic sort of way.
Dan
Your prompt answer tells me you’re probably not “schlepping” over the rugged Sierra peaks this afternoon. Thanks for the great response. Are you sure you weren’t as brilliant a salesman in a former life as you are a photographer these days? I’m sold.
My camera/lens needs are varied. A couple of my main camera considerations are durability and weight. Would it be easy to haul on my back or in a bag? How well can it handle fine desert dust or freezing temperatures for my favorite time to shoot outdoors is when the weather is wild. My primary stomping grounds run from the redwood forests of Santa Cruz, east to the Rockies, and south to red-rock country. Landscape photography is my passion, though I’m told I do great portraits. Making, teaching, and shooting jewelry is my source of income.
So, now that my camera research appears to finally be done, it’s time to focus on the lenses. I’ll have to read your posts on those this evening.
Thanks again! I’m beyond excited to get a nice digital camera that will allow me to shoot clear images that are large enough to be printed and seen without the aid of a magnifying glass.
Julie
Thanks for posting, Julie, and I’m glad to hear that someone finds this useful so soon after I posted it!
About the 1DsIII v. 5D2 choice… For what I mostly do and for the ways I do it, the 5D2 actually makes more sense for me on a number of counts. This is not to say that the 5D2 is a better choice for everyone, nor that either of these cameras are necessarily better choices than others from Canon or other manufacturers. Here were some of the decision points for me:
Again, let me emphasize that this isn’t so much about which camera is “better” in some generic sense – it is about which camera is “best” for my photography. The personal “what is best for me” question can have a wide range of answers, and I urge buyers to pay a lot of attention to their own particular needs – more so than to “best” recommendations.
Hope that helps!
Dan
Thank you SO much for creating this list! It’s very helpful. Since the world changed from film to digital, I’ve never had a “real” digital camera with quality lenses that have the capability to make my vision a reality. I’m researching equipment now…but with the prices I’m seeing for what I’d like…wow! If you have a moment, would you share with me why you chose a Canon EOS 5D Mark II and Canon 5D over a Canon EOS-1Ds Mark III? Thanks.