Coastal Redwood Forest

Coastal Redwood Forest
“Coastal Redwood Forest” — A young coastal redwood forest, Pheiffer Big Sur State Park.

Photographing California’s coastal redwood forests can be a (fun) challenge. There is often an overwhelming amount of “stuff” in the scene — trunks, branches, undergrowth, all growing densely. So part of the challenge is finding a workable composition among all of the details. Light can also be tricky. On sunny days light beams can fill the scene and pose nearly unsolvable dynamic range issues — shadows go completely black and highlights threaten to burn out. I made this photograph on a cloudy morning when the overcast was just starting to thin a bit, producing some very soft light.

The location is Pfeiffer Big Sur State Park. Oddly, as a lifelong Californian who has passed by here often, I have barely explore this park at all. In fact, I can recall only one previous brief visit. Perhaps this is because I’m typically in the area to photograph coastal subjects rather than forests, and perhaps also because there are other redwood parks closer to where I live. This scene is a little obscure one near the main campgrounds and a nature trail.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Poison Oak

Poison Oak
“Poison Oak” — Poison oak leaves transition to fall colors in the deep shade of a redwood forest.

Aspens are not the only plants producing fall color here in California. The ubiquitous poison oak plants become even more red and start to pick up a bit of yellow/brown late in the season. The plant is widespread in wild areas of the state, ranging from coastal bluffs to oak forests to scrub brush, and California hikers soon learn how to identify it. The red leaves are a clue, but the oak shaped leaves in groups of three can mostly confirm it. (Though some wild berry plants have a similar appearance — but their stems have thorns, which are lacking on poison oak.)

The plant is flexible and grows in various ways. It can grow almost like a bush. Sometimes it is found in what amount to poison oak thickets. Low growing plants are sometimes found underneath other plants. It vines and can send runners up the trunks of trees, as is the case here. I photographed this example in a dark part of a forest at the Pfeiffer Big Sur State Park in the town of Big Sur.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Aspens in Green and Yellow

Aspens in Green and Yellow
“Aspens in Green and Yellow — A grove of tall aspen trees in transition from summer green to autumn gold, Eastern Sierra Nevada.

Recently I wrote that I have not been able to visit the Eastern Sierra this season (as of this writing) while I work through a health issue. It is disappointing to miss the aspen color season this year, but I’m fortunate to have a huge archive of photographs from previous autumns. Recently I dug back into that archive and found some older photographs that I never worked up for public presentation. This is one of them.

Sometimes the trick with aspen photography, and fall color photography in general, is finding ways to make some kind of compositional sense out of wild colors and abundant details. I often stop and stare at forests like this one, trying to find the section in which some sense of order may emerge. It is usually there, but it can take a while to find it. Here I think that the combination of the large gesture of yellow leaves and the underlying patters of vertical trunks makes it work.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Water Over Stones

Water Over Stones
“Water Over Stones” — The waters of a Sierra Nevada creek flow over stones.

Every landscape photographer I know is easily distracted by flowing water. Our “thing” might be large-scale landscapes, trees, rocks, you name it. But during slow moments we’ll point our cameras down or across the nearest flowing water and see what we can do with this subject. It provides a lot of opportunities. Long exposures can turn flowing water into cloudy veils. Reflections introduce symmetry and/or colors. And, as in this photograph, the water diffuses and smooths features beneath its flow.

I was actually lucky to find such clear water on this backcountry trip. Right after we arrived at our basecamp the heavens opened up and it rained heavily for the next twenty-four hours. When we finally crawled out of our tents the day after it began, we found a nearby lake muddy with sediments washed down these creeks. But before long the sediments decreased and I found this clear creek.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Instagram | Flickr | Facebook | Threads | PostEmail

Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.