Photographs: Nature, Photographs: Sierra Nevada

Alpenglow, Meadow

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Alpenglow, Meadow
“Alpenglow, Meadow” — Evening alpenglow comes to high peaks beyond a flower-filled meadoow, John Muir Wilderness.

Since I was unable to get to the Sierra much this season — it is a long story — I’m revisiting the archives, where I find a lot of interesting photographs that were “left behind.” This one comes from a trip into a high backcountry region with a group of fellow photographers a few years back. We set up a basecamp in a high basin just over the crest, and spent a week photographing the heck out of the surrounding terrain.

I made this photograph of evening alpenglow on the surrounding peaks from a stunning meadow that we discovered about 10 minutes walk above our camp. The meadow was open to 360 degrees of alpine terrain, and it was filled with wildflowers, even though it was near the end of August. (One of our group members, stunned when he first saw the meadow, named it “******* Julie Andrews Meadow.” I’ll leave you to guess the missing word.)

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Nature, Photographs: New England

New Hampshire Forest

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New Hampshire Forest
“New Hampshire Forest” — Dense foliage in a southern New Hampshire forest.

We had never visiting New Hampshire or anyplace else in New England for that matter until two years ago — when we went twice! The first visit was for a late-summer extended-family get-together at a place we rented just north of Wilmington. (The other trip was that October, when we went back for the fall colors.) We had a week in this wonderful landscape, which I found both intriguing and sometimes frustratingly different from the Western landscapes I’m used to. This is a land of very dense deciduous forests. They are lovely, but not conducive to the sort of big landscape images that I often look for. But there are a lot of trees!

Eventually I decided to just head out on foot and explore some of the gravel roads that surrounded our lodgings. At first it was difficult to see much through the mass of very green vegetation, but eventually I started to see compositions. And I remembered that forest photography often benefits from softer light, at the edges of the day or under cloud cover. There was a high, thin overcast when I made this photograph, and it softened the light and allowed shadow detail to emerge.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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Photographs: Central California, Photographs: Nature, Photographs: Ocean & Coast

Coastal Redwood Forest

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Coastal Redwood Forest
“Coastal Redwood Forest” — A young coastal redwood forest, Pheiffer Big Sur State Park.

Photographing California’s coastal redwood forests can be a (fun) challenge. There is often an overwhelming amount of “stuff” in the scene — trunks, branches, undergrowth, all growing densely. So part of the challenge is finding a workable composition among all of the details. Light can also be tricky. On sunny days light beams can fill the scene and pose nearly unsolvable dynamic range issues — shadows go completely black and highlights threaten to burn out. I made this photograph on a cloudy morning when the overcast was just starting to thin a bit, producing some very soft light.

The location is Pfeiffer Big Sur State Park. Oddly, as a lifelong Californian who has passed by here often, I have barely explore this park at all. In fact, I can recall only one previous brief visit. Perhaps this is because I’m typically in the area to photograph coastal subjects rather than forests, and perhaps also because there are other redwood parks closer to where I live. This scene is a little obscure one near the main campgrounds and a nature trail.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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Photographs: Fall, Photographs: Fall Color, Photographs: Nature

Poison Oak

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Poison Oak
“Poison Oak” — Poison oak leaves transition to fall colors in the deep shade of a redwood forest.

Aspens are not the only plants producing fall color here in California. The ubiquitous poison oak plants become even more red and start to pick up a bit of yellow/brown late in the season. The plant is widespread in wild areas of the state, ranging from coastal bluffs to oak forests to scrub brush, and California hikers soon learn how to identify it. The red leaves are a clue, but the oak shaped leaves in groups of three can mostly confirm it. (Though some wild berry plants have a similar appearance — but their stems have thorns, which are lacking on poison oak.)

The plant is flexible and grows in various ways. It can grow almost like a bush. Sometimes it is found in what amount to poison oak thickets. Low growing plants are sometimes found underneath other plants. It vines and can send runners up the trunks of trees, as is the case here. I photographed this example in a dark part of a forest at the Pfeiffer Big Sur State Park in the town of Big Sur.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Instagram | Flickr | Facebook | Threads | Post | Email

Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.