Buildings and Walkway, Orvieto

Buildings and Walkway, Orvieto
“Buildings and Walkway, Orvieto” — Old buildings and a walkway in Orvieto, Italy

I have previously described our approach to travel, but this is an example of how it can pay off. While we have no objection to them, we don’t take “tours.” Instead we largely head out on our own, and we love to just go out and walk in the places we visit, often with no particular goal in mind. In truth, we sometimes do miss some of the important sights in the places we visit, but we also see lots of things that aren’t on the tour agendas. Ending up at this quiet spot in Orvieto is an example.

Orvieto is an Italian “hill town,” situated on the top of a large plateau surrounding by very steep slopes and even cliffs in some places. It is on the day trip itinerary for visitors to Rome, from what I understand, but we stayed there a few days. That meant that we weren’t under pressure to dash around and see things. (It also meant that the crowds were way smaller in the morning and evenings.) One after noon we arrived at this spot on one of our walks and we were almost the only people there. Here a small garden and walkway led to an overlook that provided a panoramic view of the country down below the town.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Aspens and Conifers, Autumn

Aspens and Conifers, Autumn
“Aspens and Conifers, Autumn” — A small stand of conifers surrounded by scrub aspen in autumn colors, Eastern Sierra Nevada.

In our search for the biggest, most spectacular aspen trees and the biggest and most expansive groves, we sometimes overlook these smaller “scrub aspen” trees. At least I do. But often they are just as colorful as the bigger trees, and they can be quite fascinating when draped across the right kinds of terrain. Their color is every bit as vibrant as that of the bigger trees, and sometimes they are the earliest to turn fall colors. I have even photographed them in September, the month before the main October peak of color.

The trees in this photograph might not be all that impressive up close. They are, after all, quite small — probably no taller than you are. But from a distance they form a more unified subject, a sort of blanket of color lying across this gentle landscape and surrounding a small group of conifers in early evening light.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Aspens, Last Light

Aspens, Last Light
A few final beams of light illuminate Eastern Sierra autumn aspen trees.

The light in this location is unusual for the Sierra — for geographic reasons that I’ll explain below. This forest of autumn aspen trees is on the east slope of the range, at what I think of as a middle elevation. Here the high desert sage country meets aspens and a few conifers, then transitions as the terrain rises until the forest is mostly conifers. The shallow angle and steady rise let us view one of the bigger aspen stands in the Sierra.

About that special geography… In many places the eastern front of the Sierra is quite steep, and some of the most precipitous mountain faces in the range are along this side. But in this location the rise is more steady and gentle and it begins at a higher elevation. Consequently, late in the day when I made this photograph the light streaming between peaks to the west comes in at about the same angle as the slope — and long shadows and beams of late-day sunlight spread across the landscape.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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Mono Lake, Evening

Black Point, Mono Lake, Evening
“Black Point, Mono Lake, Evening” — Evening clouds above Mono Lake and Black Point.

I made this photograph on an autumn evening after incoming clouds had ended my aspen photography for the day. I decided to make a quick run down to the shoreline of Mono Lake to see if there might be any interesting dusk light. The conditions were a bit subtle, but I think that they are actually representative of what we’re likely to see at Mono in the evening when clouds over the Great Basin dissipate and the lake is in shadow.

This particular bit of shoreline has long intrigued me. (I’m not the only one!) In many places along its edge we look straight out at the immensity of this lake, but in this spot we instead have a view along the shoreline, past bays and Black Point, toward volcanic islands and then desert mountains in the far distance.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Instagram | Flickr | Facebook | Threads | PostEmail

Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.