I’ve read your reports on the 5Dsr. I assume by now you have one? Maybe you have different thoughts now, but you seem to point to the new body being good for large print/detail, but maybe not so great for fine art print.
If that’s still the case, what would you opt for if leaning towards fine art prints, large, maybe a heavily cropped slice measuring say 16″ x 72″ or so? Minus a mf body.
I’m looking to switch bodies and thinking the 5dsr or possibly the Nikon d810. Just curious what your thoughts might be if you ever had time. Thanks.
It has been a while since I’ve written about the Canon 5DS and the 5DsR cameras here, but since you asked I’ll share more based on my extensive use of the 5DsRover the past months. I have used it to photography everything from landscapes to people to wildlife. I think I see several sub-questions here, so let me respond to each of them.
Three manufacturers companies now produce widely available full-frame digital cameras with features that are attractive to folks who photograph landscape subjects, among other things. Two of them recently released new models that are getting a lot of attention, and plenty of photographers are interested in their relative merits and perhaps in choosing among them.
Here is a statement that a thoughtful, experienced, knowledgable photographer who has looked at the options carefully and selected one of them might make:
I chose this camera because it exemplifies the continuing evolution and improvement of digital cameras. It introduces useful and powerful improvements that offer the potential of a range of image quality improvements. The camera has the ability to produce photographs with outstanding image quality in a wide range of conditions and circumstances, and photographers who use it are going to be very pleased with what it can do. It has its pluses and minuses, and other cameras may be a bit stronger or weaker in various areas, but on balance it is a first-class and powerful tool that works extremely well for the most demanding photographers. I recommend that other photographers take a look at it!
The question: To which of the three (and a half?) above-listed cameras does this statement apply?
If you have paid a lot of attention to the passionate and hyperbole-filled discussions and “tests” that inevitably accompany the release of new cameras, you have read proclamations that any one of those is “the best” or even that it will transform your photography. And it is possible that “the answer” is already obvious to you, and you are certain that one surpasses the others in obvious ways. You might even have come to the conclusion that a photographer choosing one of the other options is making a mistake, is probably unaware of the significance of the error, and that his/her photographs are likely to suffer as a consequence of this flawed decision.
Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
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