(When I started this post I thought it would be short — but it grew and grew and grew! In addition, right now and for a couple of days after the publication date, there is a Fujifilm instant rebate promotion that takes hundreds of dollars off the prices of lenses and cameras and bundles. See a list of links at the end of the article.)
My friend “Pat” sent me an email recently with the following question:
I hope you have been well. I was hoping you could offer your thoughts on ‘why Fujifilm’ for your walk-around/street photography system. I have been reading (perhaps a little too obsessively) many rave reviews on their cameras and consistently love the look of images that are shared. (Kevin Mullins, Zack Arias and many others) have professed their love for the Fujifilm system.) While my G.A.S. has been in remission lately, I know I am susceptible to a relapse-I’m not sure if I’m looking for you to talk me off the ledge or give me a solid shove. Why do you choose Fujifilm instead of using a couple of the smaller (non-L) primes with your 5D series? I shoot the 6D as my primary body and have been saving for a 24-70 f2.8 (to replace my 24-105) but the current sale on the Fujifilm at Adorama has me thinking.
As I thought about my reply it occurred to me that others might be interested in the answer, too. With that in mind, I’m sharing my reply. The main context of your question seems to be focused on street and “walk around” photography, and Fujifilm is now my primary system for what I refer to as “street photography and travel photography.”
And, yes, G.A.S. (Gear Acquisition Syndrome) can afflict all of us. Let’s see if I turn out to offer an antidote… or become your enabler!
Fujifilm just released their newest camera, the X-Pro2. Since I have been relying on an earlier Fujifilm camera (the original X-E1) for over three years — and liking the results a whole lot — it seemed like time to move up to the newer, more refined body. My new X-Pro2 arrived a few days ago, and so far I’m quite impressed. (My time with the camera has been limited thus far, and I’ll share a much more detailed report once I have had a chance to use it extensively.)
The Fujifilm “x-trans” sensor cameras are appealing for a number of reasons:
Small, light mirrorless designs offer an alternative to larger DSLR systems.
The x-trans sensor produces excellent image quality and uses a photo site layout that is designed to minimize aliasing without using anti-aliasing filters.
The Fujifilm lenses are truly top-notch, from primes to zooms, and there is a complete and diverse selection of available lenses.
Until now all of these cameras have use 16 megapixel (MP) 1.5x cropped sensor designs. 16MP is plenty for almost all photographers, and I make beautiful 18″ x 24″ prints from the files. One of the main updates on the X-Pro2 is the addition of an optimized 24MP sensor. If anything, this sensor improves the low light performance and dynamic range of the 16MP versions, and it provides a bit more resolution.
The X-Pro2 also improves on many of the ideas behind the original (and now a bit long in the tooth, though quite inexpensive) X-Pro1. Both cameras use a hybrid viewfinder that incorporates both an optical viewfinder (OVF) and an electronic viewfinder (EVF), both of which have advantages in various situations. The OVF works beautifully with many primes, eliminates shutter blackout, and allows the photographer to see what is going on just outside the borders of the image. The design overlays an electronic display on top of the optical image. These features are very useful to those doing street photography and similar things.
The EVF works well with all lenses, from ultra wide to telephoto and especially with zoom lenses. It can be advantageous in very low light, such as night street photography. It also shows the precise frame edge lines and can display even more image data than the OVF.
The camera feels light but also solid and well-constructed, and it recalls classic rangefinder cameras.
I got mine with the new XF 35mm f/2 WR lens, one of five newer lenses that are optimized to autofocus more quickly on the X-Pro2 (and, presumably, future X-series cameras). It is also weather resistant. I can report that it focuses quickly and accurately in a wide range of situations. Since I also have my older XF 35mm f/1.4 lens, I haven’t yet decided whether I will end up valuing the extra stop of the f/1.4 lens enough to give up the faster AF and smaller size of the new f/2 lens.
That’s all I’ll say for now, but expect more in the not-too-distant future as I gain more experience with the camera. For now, I don’t see any reason to not recommend it.
Fujifilm X-Pro2 digital camera body — $1699 at B&H or Adorama
Fujinon XF 35mm f/2 WR lens — $399 / $299* with X-Pro2 at B&H or Adorama (*limited time offer)
(If you find this website and posts like this useful and you are going to get one of these products, consider making your purchase through links on this site. Your price will be the same, but the purchases help support the operation of the site. Thanks!)
Site affiliate B&H has a “Buy Together and Save” instant savings offer when you purchase a Fujifilm X PRO, X-E2, or X-E1 in a variety of configurations and colors and buy lenses at the same time. Savings on lenses range from $100 to $250 each.
Step 1: Purchase a camera using one of the following links:
Step 2: On the camera page at the above-listed links look for the “Buy Together and Save” link (which will likely list one specific lens). This goes to a page listing all of the available lenses and savings. Lenses include the essentially ALL X-series camera lenses, including the most recently announced. (Links not included here, since you’ll need to follow the B&H links when you buy the camera):
14mm f/2.8 XF R ultra-wide lens – save $200
18mm f/2 XF R lens – save $200
23mm f/1.4 XF R lens – save $100
27mm f/2.8 XF lens – save $150
35mm f/1.4 XF R Lens – save $150
60mm f/2.4 XF macro – save $250
18-55mm f/2.8-4 XF R LM OIS lens – save $150
55-200mm f/3.5-4.8 XF R LM OIS – save $200
Lenses are also eligible for a 4% B&H “reward” offer. Note that not all lenses are necessarily available with all cameras. For example, the 18-55mm lens is already included with the bundles. Expires 12/24/13. (Check the B&H site for full details.)
G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
(Updated to fix link errors and differentiate between available versions and versions available of pre-order.)
As you may know, I am an enthusiastic user of the Fujifilm X-E1 mirrorless rangefinder-style digital camera system. (See an exhaustive review here: Taking Stock of the Fujifilm X-E1 Mirrorless Camera). Recently Fujifilm announced the X-E2, an updated version of this camera. It is now becoming available in limited quantities from site-sponsor B&H.
The new body takes the original x-E1, a fine camera in its own right, and improves several elements of its performance – notably in the areas of autofocus performance, video, a faster processor, and more.
G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
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