Tag Archives: report

Another note about Canon EOS 5D Mark II battery performance

This past weekend I did something I usually do not do – I shot a wedding! My niece got married in Spokane, so I flew up there and did the wedding photographer thing. Actually, my brother and I did the photography. Fortunately, he is more experienced than I at the portrait and lighting stuff. (No, you won’t see those photos here! :-)

For those of you still trying to figure out how many Canon LP-E6 5D II batteries you might need, I shot about 650 frames using the 5D II. At the end of this process the battery level indicator still showed two of four bars.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.

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Quick Report on Canon EOS 5D Mark II Battery Performance

After four days photographing – in sometimes stunning conditions – in the Tuolumne Meadows area of Yosemite, it seems odd to make my first post about a technical issue. But, here I go.

People wonder about the LP-E6 battery performance of the Canon EOS 5D Mark II camera. While I haven’t conducted and “scientific” tests of battery performance, what I have observed thus far is quite encouraging. Over the past three and a half days or so I made 533 exposures plus a few more that I deleted in the camera. I do a fair amount of “chimping” and I used the live view feature just a bit. After all of that the battery life indicator still showed two our of four bars.

All in all, I think this seems like great battery life. Many 5D II shooters will find that one battery is sufficient, and very few  should need more than one spare. (I currently have one spare. Because of some unusual use patterns – including backcountry pack trips of one to two weeks duration – I’m considering one more spare.)


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.

G Dan Mitchell: Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Canon EOS 5D Mark II: Live View and Night Photography

I have shot a few thousand frames with my Canon EOS 5D Mark II now. I’ve photographed a variety of subjects including a few days of rainy professional bicycle stage racing, several landscape subjects, and a productive evening of night photography with The Nocturnes at Mare Island Naval Shipyard. I plan to eventually write up something resembling a comprehensive report on my experience, but so far there hasn’t been time. With that in mind, here is a short piece on one new feature in this camera and my experience with it.

Among the photographic subjects that interest me is night photography, often of urban and industrial subjects, but occasionally of wild landscapes also. There are a number challenges to shooting in very dark conditions, but one of the more interesting is getting good focus in conditions where auto-focus often can’t find a target to work with and where it is too dark to manually focus. (I wrote a bit about this in a recent piece: “Hints for Night Photography.”)

During my last Mare Island shoot I discovered that Live View provides a very useful option for focusing at night. On the 5D II, the Live View mode raises the mirror and lets you look at a “live view” of your scene on the rear LCD. In very dim light the trick is to find something that might provide a manual focus target, center the rectangular LCD indicator over that “something,” zoom in to 10x magnification on this object, and then focus manually on the LCD image. I was amazed at the low light levels at which this works quite well. A vertical line in a wall, the edge of a window, a bit of cyclone fence, or a small light – any of these become decent manual focus targets using Live View.

When I started my Mare Island evening shoot, using this camera for the first time at night, I mostly did things the old fashioned way. By the end of the evening, in any very dim situation I was successfully and much more quickly getting good focus using Live View. I’m confident that night photographers are going to find that this is a very powerful and useful feature.

One Can Dream, Right?

For a report on an entirely different category of camera than most of us use, take a look at Michael Reichmann’s review of the Phase One P65+, 645 Camera, and Lenses. This is a medium format system that includes a Phase One/Mamiya medium format body, a 60MP true medium format digital back, and a lens system. Today it costs as much as a very, very nice car. One can hope that something equivalent may eventually be available for a price that the rest of us can contemplate affording.