“Four Cotswolds Trees” — Old trees stand in a Cotswolds field.
Near the end of May we did a weeklong walk in England’s Cotswolds. Ours was not the longest walk, and our mileage was less than it might have been on more aggressive walks. (Basically, we did an out-and-back loop starting and ending at Moreton-in-Marsh.) The plan was to enjoy the walking, but have plenty of time and energy to enjoy the towns we passed through and stayed in each night.
“Stilts and Geese” — Four black-necked stilts wade in front of a flock of snow geese.
This photograph comes from my second-to-last trip of the season to photograph migratory birds in California’s Central Valley. (See ya’ next year, geese!) Early in the season I try to time my visits for the best bird photography weather — a bit of morning fog, clearing later in the morning, and interesting clouds for sunset. But at this point, merely weeks before the geese would depart, I could not be as choosy!
This is one of those “shoot fast” street photography images that I sometimes like while traveling. It happened so quickly that I barely remember the act of making the photo. My recollection is that we were walking along a street in Bruges, Belgium when I spotted this group and fired off a frame. I think there might be several ways to “see” this image…
One is simply compositionally — the arrangement of figures and colors, the direction of their attention, the pointing hand, the one fellow standing slightly apart from the other three people, a parallel between the body positions of the two at the right/left extremes, and the physical contact between the two in the middle. I think it also conveys something important about the experience of travel — the possibility of being astonished, the public innocence about that experience, and more.
Thanks, Brenda. I especially appreciate the comment on _this_ photograph as it is a big of a challenge for some of my landscape fans to make sense of the street photography stuff! :-)
“Four Mailboxes” — Four old metal mailboxes on a weathered wall in Orvieto, Italy.
When we travel we do seek out some of the famous, must-see places and things — castles, cathedrals, geological features, markets, and all the rest. But we also like to engage in a certain amount of random wandering when we can. In some ways this gives me a better sense of the character of a place than I would get by checking off all of the Big Important Things. (Don’t get me wrong. Many of those are important with good reason and are well worth visiting.) I made this photograph on one of these wandering days.
We often start out with a very general goal or idea in mind, but what we do along the way is often fairly unplanned. That was the case on this day in Orvieto, a lovely Italian hill town. Being constrained by its location on the relatively flat top of a hill, the place isn’t huge, and you can cover most of it easily on foot. So we were out walking, poking our heads into narrow alleys, looking for interesting buildings, and photographing any little bits of local character we found.
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.
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