“Stilts and Geese” — Four black-necked stilts wade in front of a flock of snow geese.
This photograph comes from my second-to-last trip of the season to photograph migratory birds in California’s Central Valley. (See ya’ next year, geese!) Early in the season I try to time my visits for the best bird photography weather — a bit of morning fog, clearing later in the morning, and interesting clouds for sunset. But at this point, merely weeks before the geese would depart, I could not be as choosy!
This is one of those “shoot fast” street photography images that I sometimes like while traveling. It happened so quickly that I barely remember the act of making the photo. My recollection is that we were walking along a street in Bruges, Belgium when I spotted this group and fired off a frame. I think there might be several ways to “see” this image…
One is simply compositionally — the arrangement of figures and colors, the direction of their attention, the pointing hand, the one fellow standing slightly apart from the other three people, a parallel between the body positions of the two at the right/left extremes, and the physical contact between the two in the middle. I think it also conveys something important about the experience of travel — the possibility of being astonished, the public innocence about that experience, and more.
Thanks, Brenda. I especially appreciate the comment on _this_ photograph as it is a big of a challenge for some of my landscape fans to make sense of the street photography stuff! :-)
“Four Mailboxes” — Four old metal mailboxes on a weathered wall in Orvieto, Italy.
When we travel we do seek out some of the famous, must-see places and things — castles, cathedrals, geological features, markets, and all the rest. But we also like to engage in a certain amount of random wandering when we can. In some ways this gives me a better sense of the character of a place than I would get by checking off all of the Big Important Things. (Don’t get me wrong. Many of those are important with good reason and are well worth visiting.) I made this photograph on one of these wandering days.
We often start out with a very general goal or idea in mind, but what we do along the way is often fairly unplanned. That was the case on this day in Orvieto, a lovely Italian hill town. Being constrained by its location on the relatively flat top of a hill, the place isn’t huge, and you can cover most of it easily on foot. So we were out walking, poking our heads into narrow alleys, looking for interesting buildings, and photographing any little bits of local character we found.
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.
“Pelicans, Winter Surf” — A quartet of brown pelicans flies above raging winter surf off the California coast below San Francisco.
During last week’s extremely big surf we headed right over to the coast to witness and photograph the conditions. Waves were up to 30′ tall and even higher, and a winter “King tide” sent those waves right up onto the shore in many places. You might have seen news reports of damage to some coastal areas. While staying safe, we were able to get pretty close to the action on a drive between Santa Cruz and Half Moon bay, and we made quite a few photographs.
Most of the photographs were essentially seascapes — the watery equivalent of landscape images, featuring the shapes and colors and so on of the moving water. But as I made a series of photographs of this huge wave a line of pelicans flew through the frame, passing just above the raging surf.
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.
Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
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