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Deals and Sales, Equipment

Instant Rebates on Canon Lenses and Speedlites – Up to $300

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Canon is offering an Instant Rebate on Canon Lenses and Speedlites of up to $300 through September 29 1, 2012. The promotion includes a large selection of lenses (zooms, primes, L, non-L, EFS, wide to telephoto, macro, tilt/shift), tele-extenders (1.4x and 2x), and electronic flashes including the most recent models. If you have been considering any of this gear, there is a good chance that you can save a bit on your purchase.

The following list includes links that you can use to purchase from site-sponsor B&H Photo. Your purchases through these links are appreciated as they help support this site – thanks! Expires soon – on September 29 1, 2012)

As always, I post offers like these on the Deals page, and not just for Canon. Similar deals are listed there on products from Adobe, Nikon, and more. Updated earlier today, and several expire very soon – including a very low price on Photoshop CS6 for Windows and additional discounts on Adobe Lightroom 4, Photoshop Elements 10, and a Photoshop Elements 10/Premier Elements 10 bundle.

Telephoto Zooms

Wide and Ultra-Wide Zooms
EFS Lenses (for cropped sensor only – includes ultra-wide, normal zoom, macro)
Macro Lenses
Tilt/Shift Lenses
Teleconverters
Speedlite/Flash

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Equipment

Canon 24-70mm f/2.8 L II vs. 24-70mm f/4L IS vs. 24-105mm f/4 L IS (and more?)

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Anyone who spends any time in photography forums discussing Canon lenses has seen this topic come up regularly: the comparisons between the 24-70 and 24-105mm L zoom options. If you follow this subject you are familiar with posts asking which of these lenses is “best” or claiming that one or another is great and the others are poor, and with the ensuing debates. Rather than re-writing what I have to say about this every time the subject comes up, I thought I would post once here and then link back to this article.

(Update 1/4/13: Things have changed in significant ways since I first posted this review back in 2011 – primarily with the introduction of two newer Canon 24-70mm L zooms. I have made a few updates to this post to reflect those changes. I have now had the opportunity to use the updated Canon EF 24-70mm f/2.8L II lens. It is also a very fine lens and a great performer. In addition, there is now a Canon EF 24-70mm f/4.0L IS USM lens as well, and the Canon 24-105mm f/4L F/4.0L IS lens is still available. Canon shooters have an over-abundance of good lenses that cover the 24mm to whatever-mm focal length range at this point. All three of these current lenses are excellent options and the functional differences among them now are the primary basis for selecting one over the others. If you need f/2.8 and are OK with a smaller focal length range and not having IS, the 24-70mm f/2.8 could well be your choice. If you can get along without f/2.8, are OK with the smaller focal length range, would like IS, can make use of semi-macro capabilities and want a smaller lens, then the 24-70mm f/4 IS lens can be a great option. If you don’t need f/2.8,  but do value image stabilization and a significantly larger focal length range, the 24-105 is a wonderful choice. )

(Update 1/8/15: And now there is yet another lens in this general category from Canon, the EF 24-105mm f/3.5-5.6 IS STM Lens. I have incorporated some information about this option below.)

Continue reading Canon 24-70mm f/2.8 L II vs. 24-70mm f/4L IS vs. 24-105mm f/4 L IS (and more?) →

Commentary

Canon Lens ‘Instant Savings’ End Soon

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A number of Canon lenses are eligible for an”instant savings” price right now. But act soon since these prices are only in effect for about two more weeks until January 16. This list includes the rebate amounts and links to the lenses at B&H Photo/Video. Given the recent increases in Canon lens list prices, this may be a good opportunity to save some money on that lens you have been waiting to purchase.

(Note: Some of these links may go to pages that also include items not eligible for the “instant savings” and it is possible that the links may change – check the pages you arrive at via these links to verify that they include the savings before you make your purchase!)

Highlights from this list?

  • Obviously, all four of the excellent EF 70-200mm lenses are on many photographers’ “must have” lists – and all of them are included in this program.
  • The 24-70 f/2.8 is a “core lens” for many full-frame shooters.
  • Both of the ultra-wide (on full frame, or just “wide” on cropped sensor) L  lenses are on sale. The 17-40 is a wonderful lens for stopped down landscape and similar shooting on full frame bodies, and the 16-35 is a great choice on full frame if your main need is for shooting hand held in very low light.
  • The 85mm f/1.2 L is certainly a fine lens, and for the those who need it this is a good savings. (Frankly, the vast majority of 85mm prime users will be at least as well served by the much less expensive non-L f/1.8 edition.)
  • For cropped sensor camera shooters looking for (what I regard as) the “best” lens for high quality general use, the EFS 17-55mm f/2.8 IS may be ideal. For most cropped sensor camera shooters – even the most “serious” – I think it is a better choice that either the 17-40 or 16-35 L lenses.
  • The EFS 10-22 is pretty much the only Canon option for those who want ultra-wide angle coverage on cropped sensor bodies, and many people (especially landscape shooters) rely on this lens.

(If you find this information and other resources posted at this site to be useful, please consider purchasing through these B&H Photo/Video links within the post. You’ll get the same price and your purchase will help support the operation of this site. Thanks!)

Technique

How I Sharpen – An Overview

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(I originally wrote this article way back in 2009. Some portions were revised in February 2019 to reflect changes to sharpening tools and some different ideas I have developed regarding sharpening settings. It was updated and modified again in 2023.)

I just posted something elsewhere about how I sharpen for prints and I figured I’d get some extra mileage out of it by posting it here as well. First, few disclaimers…

  • The title of this article originally referred to a “quick overview.” Clearly, it is too long for that! But there are whole books on sharpening, so by contrast I think this qualifies as a quick description. In fact, I’ve left a lot out of the description!
  • There are people with far more expertise on this topic than I have, and I have no illusions that this description represents the “right” way to do this, much less the “best” way!

The subject of how to sharpen photographs in post for print or electronic output is one that confuses many people… and a subject to which many books, online articles, and forums posts have been devoted. There are any number of ways to get the desired results via sharpening, and different techniques are called for depending upon taste, the nature of the image, and the final form of presentation: size? print? jpg? etc…

Here is a general description of what I do when I print. I’ve left some variations out of this description. The description also covers software that I use in my workflow — you might prefer something different, but you might still be able to adapt these ideas. You’ll note at least one controversial method later in the list, but try it before you dismiss it. The approach I use could well be “over-kill” if you just want to pump out a bunch of jpgs to share with friends and family or if you want to make some small prints — my end goal is good sized prints, and I work on each one rather carefully rather than mass-processing them and printing a bunch at one time.

And please understand that I’m most certainly not implying that my way is the right way. It works for me, and that people who view my prints often remark on their sharpness and detail. (And a few other things, too, I hope! :-)

Continue reading How I Sharpen – An Overview →