Each year at about this time I participate in the annual ritual of selecting a set of favorite photographs from the past year. It is a really interesting task – to review a year’s worth of photographs and relive some of the experiences and places from which they came. But it is also a daunting task! It is hard to be objective about my own photography, and I invariably end up with a list of possible candidates that is way too long.
This years way-too-long list included 60 photographs! The usual process is to strip images out of this set one by one until a reasonable number remain and there is a good balance among different sorts of photographs. But saying “no” to a photograph that I like is often pretty difficult. Yesterday I tried to opposite approach – instead of identifying what I might dismiss, I went through and simply picked the photographs that I was (fairly) certain would have to be included. There were a dozen, though after some further thought and getting feedback from others, there might actually be a dozen and a half.
So here is a set of thumbnails of the full 60 photo set. I’d love to hear what on this list jumps out at you? Do you have favorites? Are there some here that you remembered from when I first shared them? Thanks in advance! (Click the image to see a larger version.)
© Copyright 2013 G Dan Mitchell – all rights reserved.
G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Craig – Thanks for taking the time to look at them. I really value feedback from others on the photographs. It is hard for me to see them as others do!
Dan
Even clicking on the larger version makes it tough to make really informed selections but I’ll share my favorites from the grid you’ve presented:
A: 6, 9, 10 B: 5, 8 C: 3, 4, 6, 10, 12
D: 3, 6, 7, 8, 9, 11 F: 10, 11
Another year of really nice and varied work. Thanks for sharing both your work and your commentary.